AHRA Newsletter:
October–November 2017

If you would like to receive this information by e-mail, and you haven't yet signed up as a member of AHRA, please follow the link to the AHRA website for details of how to register on the database. Membership is currently free and is open to all humanities researchers working in Schools of Architecture and related disciplines both in the UK and overseas. Please also encourage colleagues to register here: http://www.ahra-architecture.org/registration/

If you are planning a research event that you would like to promote through the newsletter, please log in to the AHRA website and post the details by clicking on the 'Post Your Event' link under the 'Events' menu. These details will appear on the 'Future Events' page within a few days (subject to moderation) and will also be included in the next issue of the Newsletter. If you have not logged in to the site before, you should enter your default username ('firstnamelastname') and click on the 'forgotten your password' link for further instructions.

To promote other items of interest (new books, courses, other research resources etc) please send details by email to Stephen Walker at:

 .(JavaScript must be enabled to view this email address)

The next newsletter will be issued in December 2016

New Events

Architecture, Festival and the City

14th AHRA International Conference

School of Architecture and Design, Birmingham City University, UK

November 16 2017 - November 18 2017

What is ritual in today’s rationalistic, post-symbolic age?
What forms of collective participation can the civic realm sustain in the twenty-first century?
Can there be any meaningful form of collective representation in our predominantly individualistic and globalised society?
Are urban festivals, carnivals and rituals fundamentally inclusive or exclusive?

These questions, amongst others, will serve as points of reference for this conference which examines past and present urban festivals and their settings in relation to the idea of ‘the good city’.

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Thu 16 November 2017

AA Women & Architecture in Context 1917-2017

CALL FOR PAPERS

The Architectural Association School of Architecture in London

November 02 2017 - November 04 2017

AA XX 100 is the project to commemorate the centenary of women’s admission to the Architectural Association School of Architecture in London in 1917. To date it has comprised a raft of complementary enterprises including an annual lecture series and an ongoing programme to conduct filmed interviews with AA alumnae. The project culminates in autumn 2017 with an exhibition (October - December 2017), a book (Breaking the Mould: AA Women in Architecture 1917-2017) and an international conference (AA Women and Architecture in Context 1917-2017) run in partnership with the Paul Mellon Centre for Studies in British Art.

We now announce the Call for Papers for the conference, which will take place between 2nd and 4th November 2017 at the AA and the Paul Mellon Centre in Bedford Square, London, W.C.1.

We invite academics, architects and other practitioners to submit proposals for 20-minute papers in response to the themes listed on the attached poster. Submissions are encouraged from researchers at all stages of their careers, and papers should be understood as not confined purely to the AA as a subject matter but equally to the wider context of women and architecture across the centenary period.

Format:

Paper proposals should be 300 words in length; please include contact details, affiliation and a brief CV.

Poster proposals should be up to 300 words in length; please include contact details, affiliation and a brief CV.

Both should be emailed to: .(JavaScript must be enabled to view this email address)

Deadline for proposals is 12.12.16, for notification no later than January 2017. Successful applicants will be expected to cover their own costs for travel and accommodation but will have free entry to the conference.

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Thu 2 November 2017

Building Beauty

Ecologic Design and Construction Process

Naples, Italy

October 16 2017 - May 05 2017

Building Beauty is an intensive, memorable experience of studies team work and life in the heart of the city of Naples, Italy.

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Mon 16 October 2017

Territories of Faith

Religion, Urban Planning and Demographic Change in Post-War Europe, 1945 – 1975

Leuven, Belgium

July 03 2017 - July 04 2017

The research group Architectural Cultures of the Recent Past (ARP) of KU Leuven and KADOC, the Documentation and Research Centre on Religion, Culture and Society of KU Leuven, are organizing an international workshop on religion, urban planning and demographic change in post-war Europe as a prelude to an edited volume on this topic, to be published by an international academic press.

 

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Mon 3 July 2017

CFP: JID special issue: Interior design creative scholarship

Registration of interest: 1 July 2016

Journal of Interior Design

July 01 2017

A special journal issue dedicated to creative scholarship in interior design and its allied disciplines and practices to be published early 2018.

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Sat 1 July 2017

The Arts of Spinoza + Pacific Spinoza

Interstices Under Construction symposium: Call for Papers

Auckland University of Technology and University of Auckland, New Zealand

May 26 2017 - May 28 2017

We invite scholarly submissions on the philosophy of Benedict de Spinoza (1632-1677), for a special issue of Interstices journal and the annual Interstices symposium to be held in Auckland, New Zealand, 26-28 May 2017. The intent is to further consolidate the recent revival of interest in Spinoza’s thought, and to reaffirm his status as an enormously powerful thinker of contemporary relevance.  Papers on any aspect of Spinoza studies are thus welcomed. But the more specific aim of the symposium and journal issue is twofold: firstly, to extend the burgeoning scholarship on Spinoza into the domains of study parsed by Interstices, namely arts and architecture, and secondly, to situate Spinoza’s philosophy within the particular locus of New Zealand, Australasia, the South Pacific, and the Pacific Rim more broadly. Each of these aspects will be tackled in separate sessions or separate days of the symposium.
            With regard to the first aim, we welcome submissions that put Spinoza’s philosophy in productive proximity with a particular artform or an individual work of art, whether literature, painting, sculpture, architecture, film, music, dance, performance, etc. — or that have an especial focus on any of the numerous artistic and literary figures who are known to have read Spinoza appreciatively and in whose works Spinozist shadings might be discerned (Goethe, Coleridge, George Eliot, Thomas Hirschhorn, etc.). Contributors might like to think of this event and journal issue as extending, in the direction of arts and architecture, the very fine work done by the anthology Spinoza Beyond Philosophy (2012, ed. Beth Lord).
Since Interstices’s particular interest is in architectural studies, we would be keen to see contributions that consider Spinoza as helpful for thinking any of the design and spatial disciplines (architecture, urban design, landscape, geography, interior design, and so on). Contributors might also choose to take ‘architecture’ in the sense of ‘structure’, in which case not only would built environments and tectonics be the subject of analysis, but also the very structure of Spinoza’s texts, the extraordinary way in which his texts are wrought (the famous geometric architecture of the Ethics, for example).
We also invite submissions that don’t necessarily fall under any of the artistic disciplines listed above, and that interpret “arts” in the broadest possible sense. Spinoza’s philosophy predates the modern idea of a differentiated domain of the arts, and so the Latin word that Spinoza uses — ars — has the older and broader sense of skill or craft or ability or proficiency.[1] We thus welcome submissions that are about ‘arts’ in this more general sense — for example, about what Spinoza teaches us about the arts of living (ars vivendi) or the arts of constructing a liberal polity (ars politica, government, statecraft).
With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. Such papers might, for example, examine the historical reception and interpretation of Spinoza in New Zealand, Australia, the Oceanic “sea of islands”, or any proximate sister region.[2] The idea is to give geographic concreteness and local specificity to the interpretation of Spinoza — to see how Spinoza might be or has been read in New Zealand and the Pacific, and inversely to see how our ways of thinking about New Zealand and the Pacific might be productively inflected by reading Spinoza.

[1] See Moira Gatens, “Spinoza on Goodness and Beauty and the Prophet and the Artist”, European Journal of Philosophy 23, no. 1 (2015), p. 3.
[2] The reference is to Epeli Hau’ofa’s “Our Sea of Islands”, The Contemporary Pacific 6, no. 1 (1994), 147–161.

 

Abstracts of 300 words, along with a short biographical statement of 100 words, to be sent to .(JavaScript must be enabled to view this email address), by midnight nzst, 30th January 2017. For purposes of peer review, the abstract should be sent in a separate self-contained file with no identifying information in it. Please send Microsoft Word files only (doc or docx). Abstracts will be vetted through a process of blind peer review.
Selected papers from the symposium will be invited for revision, peer review, and publication in the subsequent issue of Interstices. If you are unable to attend the symposium in New Zealand, but wish to submit a paper for the journal issue, please send the full and completed paper to .(JavaScript must be enabled to view this email address) by 31st May 2017.
Further inquiries can be directed to the convenor Eu Jin Chua, .(JavaScript must be enabled to view this email address), Farzaneh Haghighi, .(JavaScript must be enabled to view this email address), or to Susan Hedges, the Coordinating Editor of Interstices, .(JavaScript must be enabled to view this email address).

A fuller Call for Papers / Discussion Document is attached as a PDF file, or available online at http://www.interstices.ac.nz/news-events/

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Fri 26 May 2017

2017 Conference of the Architecture, Culture, and Spirituality Forum

Call for Papers, Presentations, and Workshops

Haystack Mountain School of Crafts on Deer Isle, Maine

May 14 2017 - May 18 2017

Architecture, Culture, and Spirituality Forum (ASCF), an international academic-practitioner network, announces their 9th annual symposium "Practice, Craft, Materials, and Making” to be held May 14-18, 2017, at the renowned Haystack Mountain School of Crafts on Deer Isle, Maine.

We are inviting an expanded range of proposal types in order to illuminate, and experiment with, ideas on the spiritual dimensions of practice, craft, materials, and making of architecture -as well as its broader implications for the built environment. Proposals from individuals new to ACSF, including practitioners, graduate students, and those who have attended in the past but not presented, are especially welcomed and encouraged.


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Sun 14 May 2017

Buildings in Society International III - An interdisciplinary Approach.

Swedish History Museum, Stockholm

May 11 2017 - May 14 2017

Building studies fall too often into the disciplinary gaps between architectural history, archaeology and social anthropology. The Buildings in Society International conference is an attempt bridge those gaps, to draw from all these approaches and examine how people have created buildings and responded to them. The forthcoming conference would like to examine how people have been creating and using buildings, how they have responded to them, and how the buildings have been perceived. It will consider a diversity of built constructions - including dwellings and public buildings, sheds and manor houses, secular and sacral structures.

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Thu 11 May 2017

Professional Practices in the Built Environment

University of Reading, UK

April 27 2017 - April 28 2017

The nature and value of professional judgment and knowledge is increasingly being called into question as new technologies give access to new ways of working. This conference provides an opportunity for practitioners and academics to come together to understand and learn from differ- ent models of professionalism across Architecture and the Built Environment, over time and across the globe. The conference is part of the AHRC funded Evidencing and Communicating the Value of Architects project http://www.valueofarchitects.org.

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Thu 27 April 2017

Professional Practices in the Built Environment

University of Reading, UK

April 27 2017 - April 28 2017

The nature and value of professional judgment and knowledge is increasingly being called into question as new technologies give access to new ways of working. This conference provides an opportunity for practitioners and academics to come together to understand and learn from differ- ent models of professionalism across Architecture and the Built Environment, over time and across the globe. The conference is part of the AHRC funded Evidencing and Communicating the Value of Architects project http://www.valueofarchitects.org.

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Thu 27 April 2017

The Politics of Environments: Architectures, Natures and Data

Tallinn, Estonia

April 20 2017 - July 23 2016

Two themes stand out prominently in discussions, projects and strategies that are at the forefront of contemporary urbanisation. It is, on one hand, the question of ecology, where the city and architecture are reconceptualised in "green" terms such as sustainability, resilience, metabolic optimisation and energy efficiency. On the other hand is the cybernetic question, where the futures of architecture and urbanisation are staked upon the pervasive use of digital communication, interactive technologies, ubiquitous computing, and the "big data". Moreover, these two questions have become increasingly intertwined as two facets of a single environmental question: while real-time adjustments, behaviour optimisation and "smart" solutions are central to urban environmental agenda, the omnipresent network of perpetually interacting digital objects constitutes itself a qualitatively new environment within which urban citizens are enfolded. But as digital networks become our "second nature," we also hark back to the models derived from the "first nature".

With the growing pressure on architects, urbanists and planners to deliver ecological and techno-informational solutions, with (self-)monitoring of citizens "behaviour", optimisation of the buildings "performance", and smoothing of urban "flows", and with the respective substitution of democratic politics by automated governance models, it is ever more important to interrogate the historical, theoretical, methodological and epistemological assumptions beneath the above set of processes that can be described, following Michel Foucault, as environmental governmentality. These questions will be explored under three thematic tracks.

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Thu 20 April 2017

Performing, Writing Symposium March 2017

Wellington, New Zealand

March 09 2017 - March 19 2017

Performing, Writing: a symposium in four turns is an international interdisciplinary research-focussed event occurring in March 2017, Wellington NZ run in association with Performance Arcade.

This event imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. 

What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The proposal deadline has recently been extended to 15 July 2016 and the event dates have changed since the first posting in April this year.

See the website for details: www.performingwriting.com

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

 

 

 

 

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Thu 9 March 2017

Performing, Writing 2017

Wellington, New Zealand

March 04 2017 - March 09 2017

There is something nearly indescribable yet palpable in the transfer between embodied works of art and the textual inscriptions that imagine, forecast, relate, explain, document orco-exist alongside them. 

This parallel and often intersecting dialogical relationship bears out the ways that practices such as live art, performance, theatre, architecture, spatial design, dance and music depend, expand upon, repeat and exacerbate practices such as script and score-writing poetry, literary fiction, art criticism, ficto-criticism, curatorial writing, site writing  and writing associated with creative practice-led research.

 

This synaptic condition is what John Hall calls out in On Performance Writing, with pedagogical sketches (2013) as gestures of actualisation, performing thru; writing as itself performance, the very literal taking place over time, slowly, meticulously, and performance as an event that is more than the writing where the writing’s concern is with its relation to the full context of the performance. (61) 

 

Here we find shared attentiveness towards the shaping of words, breathe, body,  object, time and space, to effectively and affectively curate subjective encounters.

 

Performing, Writing: A symposium in four turns imagines how a text can be conceptualised, written, presented and figured 

with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, 

dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of 

an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-

ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a 

new culture of criticality develop in between acts of “performing through”?

 

Proposals due 1 July 2016. See the website for details: www.performingwriting.com

 

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

Mobile +6421 842616

Skype user name buildingartpractice

www.julieannapreston.space

 

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Sat 4 March 2017

Performing, Writing: A symposium in four turns

Call for Contributions

Wellington, NZ

March 01 2017 - March 05 2017

Performing, Writing: A symposium in four turns  imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The symposium seeks to attract contributions from a wide range of creative practices such as architects, designers, performance artists, writers, musicians, dramaturges and dancers. It is structured as four turns playing out across several days of experiences, textures, flavours and modalities linking acts of performing with acts of writing.

A FULL SYMPOSIUM PROPOSAL should include:
A Cover Sheet (sent as a separate word document) listing your name(s), proposal title, affiliation(s), contact details.

A Proposal (sent as a separate word document no more than 2 A4 pages) that presents, describes, imagines and contextualises your contribution to the symposium. Images, drawings and links are encouraged. Avoid revealing your identity in this document. Identify which of the day provocations your proposal links to best and how. List any equipment required. Unlike most conferences and symposiums where presenters are allocated 20 minutes and the mode of delivery defaults to Powerpoint projections in a darkened room, this event challenges us to inhabit time, space and body with a broader spectrum of possibilities. For example, one could occupy 5 minutes of each day at the same time, prompt a participatory exercise, or incite an oration or inscription in relation to the local architecture. The symposium programme will be crafted to support the variety of proposal responses.

Submit proposals to .(JavaScript must be enabled to view this email address) by end of day 1 July 2016 (NZ time).
Questions can be sent to .(JavaScript must be enabled to view this email address).
FAQ will be posted and updated on the website: http://www.performingwriting2017.com

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Wed 1 March 2017

Building Material: Practice

The 21st edition of Building Material seeks papers on the theme of practice in architecture

February 10 2017 - February 10 2017

Practice can be defined as a process of habitual iteration. The idea of the architect as ‘practitioner’ therefore captures aspects of the design of buildings not quite encapsulated in the notion of the architect as ‘professional’. Yet to practise architecture may or may not necessarily mean the production of buildings or even involve design. Many architects find other ways to engage with and alter the built environment. Amongst other factors, a cyclical economic climate often compels architects to be survivalist, innovative, flexible and robust in the ways that architecture is pursued, realised, paid for, practised. Simultaneously, there are other more positive reasons why practice has evolved historically and continues to do so today. As practice changes, more and more interest and reflection descends upon it.

Such considerations may include (but would by no means be limited to) issues around  practice as a form of research, professionalisation and specialisation, social and community architecture, the economies of architectural practice, scales of work in relation to scales of organisation, access to skills and knowledge, and the boundaries to instigating new methodologies.

Building Material 21 invites submissions that explore the range of architectural possibilities inherent within the word practice in Ireland and elsewhere. Submitted articles must not have been published, nor be under consideration for publication, either online or in print. Written submissions should be a maximum of 4000 words and should be analytical and critical rather than descriptive. While inviting submission of academic papers, it also seeks and encourages interesting essays that fall beyond the academic pale. Shorter articles are welcome, as are graphic works.

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Fri 10 February 2017

Theory’s History 196X-199X

Challenges in the historiography of architectural knowledge

Brussels

February 09 2017 - February 10 2017

Theory’s history, 196X – 199X
Challenges in the historiography of architectural knowledge

KU Leuven, Belgium

 

CALL FOR PAPERS – INTERNATIONAL CONFERENCE IN BRUSSELS
9th-10th of February, 2017.
Submission deadline: 15th of June, 2016

 

In recent international literature addressing the history of 20th century architectural theory, the year 1968 is indicated as a decisive moment, giving rise to a ‘new’ architectural theory. From that moment onwards, emphasis was no longer placed on the aesthetics of architecture, but on its critical potential. Yet, according to some scholars, this intensification of theory was short-lived. A presence of coexisting and even contradictory paradigms derived from very different epistemic domains (anthropology, philosophy, linguistics, social sciences, etc.) led to a setback of theory, resulting in an end-of-theory atmosphere in the 1990s.     
It is not a coincidence that the so called death of architectural theory concurred with the upsurge of anthologies on architectural theory that collect and classify referential texts. Instead of burying theory, these anthologies had an additional effect, namely to institutionalise it. In other words, they offered both closure to a past period and also defined the locus of a next period of theorisation, invoking a ‘historical turn’. At the same time architectural discourses, and especially architectural historiography, were engaging with new theoretical fields such as gender studies or postcolonial studies, giving rise to a continued production of theoretically informed books and articles.

The goal of this conference is to discuss the methodological challenges that come along with this historical gaze towards theory, by focusing on the concrete processes in which knowledge is involved. By screening the unspoken rules of engagement that the accounts of post-war architectural theory have agreed to and distributed, we want to point at dominant assumptions, biases and absences. While anthologies inevitably narrate history with rough meshes, we believe it is time to search for those versions of theory formation that have slipped through these nets of historiography, in order to question the nature of theory and the challenges it poses to historians. How do you do historical research on something as intangible as theory, or in a broadened sense, the knowledge of architecture?

 

Practical information

Please visit our website for up to date information and for the full CFP: architecture.kuleuven.be/theoryshistory

This two-day conference will be held in Brussels on Thursday and Friday 9th - 10th February 2017. The conference aims to bring together both young and established scholars from every discipline that is able to engage with the topics outlined above. Confirmed keynotes are Joan Ockman, Ákos Moravánszky and Łukasz Stanek.

We’re happy to receive abstracts of up to 300 words until the 15th of June, 2016. Information on how to submit is provided on our website. Abstracts will be anonymously reviewed by an international scientific committee. Authors will be notified of acceptance on the 15th of July 2016. In order to provide a solid conference, we expect full papers one month in advance of the conference, i.e. 1st of January, 2017.

Please note that there will be a conference fee for participants of maximum €150 and a reduced price for students.

For any other questions, please contact .(JavaScript must be enabled to view this email address)

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Thu 9 February 2017

AIARG 2017 Conference

Call for Conference Papers

Waterford Institute of Technology

January 27 2017 - January 28 2017

Proposals for conference papers are now sought for the 6th annual AIARG conference to be held in Waterford on 27- 28 January 2017. Paper must be submitted under the following thematic sessions.

  • Architectural Education in the Age of Globalization: when East meets West.
  • Centenary Celebration of William H. Whyte, Sage of the City (1917-1999).
  • Concealed or Exposed? Ireland and Concrete.
  • Critical Spatial Practice and Sensibility Formation.
  • Design versus Conservation and the Value of Time. What is the meaning of place?
  • Domesticity at the Crossroads: Irish Housing Design 1955-1980.
  • Evaluating Landscapes.
  • Interim Review- on Architectural Education 2.
  • Intertidal Infrastructural.
  • Reproduction: Architectural Education. Ideology and Capitalist Relations of Production.
  • Streets on the ground: Rediscovering planned and unplanned city streets.
  • The Minor Woods of Ireland.
  • “There are 60 degrees, so why stick to one?” (Zaha Hadid, Feb 2003), Considering the complete life and legacy of Zaha Hadid.
  • Transculturation. Merging and Converging of Architectural Idioms, Energies and Ideals.

Please forward your abstract by email (300 words maximum) to session chair by 24 October. Full papers (2,000-2,500 words) expected in December. Please include with your abstract a 100 word biography and contact details. 

For more information or queries visit www.aiarg2017conference.com or email: .(JavaScript must be enabled to view this email address).

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Fri 27 January 2017

2 permanent lectureships in architecture: University of Manchester

Closing Date 19th December 2016

University of Manchester

December 19 2016 - December 19 2016

We seek to appoint two Lecturers in Architecture to contribute to the development of the Manchester Architecture Research Group (MARg), the Manchester School of Architecture (MSA) and the School of Environment, Education and Development (SEED) (see:  http://www.seed.manchester.ac.uk/subjects/architecture)  

The lecturer will also contribute to the newly formed Manchester Urban Institute (MUI), a cross-disciplinary research institute launching in 2017.

Please note that the two posts are subtly different:

One is tenable from January 2017 and has an open specialism.
https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=12546


The second is tenable from July 2017 and has a specific specialism on aging, user centred design, and daylighting design.
https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=12539

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Mon 19 December 2016

London Book Launch: Architecture and the Unconscious

Room G01 Central House, Upper Woburn Place, The Bartlett, UCL

December 09 2016

An evening of discussion, 5-8:00pm, exploring the discourses between Architecture and Psychoanalysis, chaired by Lorens Holm (Dundee) and Jane Rendell (UCL) including contributors to the book and our guests:

David Bell, Past President British Psychoanalytic Society; and Consultant Psychiatrist  The Tavistock Clinic.

Lesley Caldwell, Psychoanalyst BPA, and Honorary Professor UCL Psychoanalysis Unit

Patrick Lynch, Lynch Architects London, and University of Liverpool

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Fri 9 December 2016

Architecture and Feminisms: Ecologies, Economies, Technologies

13th AHRA International Conference

School of Architecture Royal Institute of Technology (KTH) Stockholm, Sweden

November 17 2016 - November 19 2016

The 2016 AHRA conference will address connections between architecture and feminisms with an emphasis on plural expressions of feminist identity and non-identity. From radical feminist, to lesbian feminist, to black feminist, to post-colonial feminist, to crip feminist, to queer feminist, to trans feminist, to Sara Ahmed’s feminist killjoy, to feminist men, to posthuman feminist, to the liberal and neoliberal feminist, to material feminist, to marxist feminist, to eco feminist, to Roxane Gay’s popular Bad Feminist and many others, even to post feminist voices, the claim to feminism continues to be tested and contested. And this conference will be no exception. Between architecture and feminisms our specific focus will be upon transversal relations across ecologies, economies and technologies. Specifically, we are concerned with the exploration of ecologies of practice, the drawing out of alternative economies, and experimentation with mixed technologies, from craft to advanced computational technologies.

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Thu 17 November 2016

Drawing Futures Conference and Book Launch: Call for Works

The Bartlett School of Architecture, University College London

November 11 2016 - November 12 2016

Drawing Futures is a new international peer-reviewed conference on speculative drawing for art and architecture, founded by the Bartlett School of Architecture, University College London. Chaired by Professor Frédéric Migayrou, Laura Allen and Luke Pearson, the inaugural Drawing Futures Conference will be held on 11-12 November 2016 at the Bartlett School of Architecture, University College London.  

This 2-day conference will focus on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. Bringing together practitioners from many creative fields, the conference will discuss how drawing is changing in relation to new technologies for the production and dissemination of ideas.  

Far from killing it, technology promises new avenues for the drawn as a speculative method – and its futures are ours to shape.

Keynote speakers
Pablo Bronstein, Neil Spiller and Madelon Vriesendorp.

Tickets
All tickets for the 2-day event include conference registration, lunch and refreshments, opening and closing drinks receptions. Full Price tickets also include a copy of the Drawing Futures book published by UCL Press.

Full Price (Earlybird): £185
Full Price: £250
Students: £50 (Proof of student status will be required at registration)

Register now at http://www.drawingfutures.com

Drawing Futures is part of Bartlett 175, a special programme of events celebrating 175 years of architectural education at UCL. 
Follow us on Twitter for more news at @BartlettArchUCL and @DrawingFutures

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Fri 11 November 2016

The Colin Rowe Lecture Series: Richard Pare

Royal Institute of British Architects, London

November 08 2016

In an informal setting and in dialogue with experienced and imaginative guests, The Colin Rowe Lectures aim to discuss the role of the image in architecture, particularly the crucial role of architectural photography. The occasions will allow invited experts and emerging scholars/practitioners to share their thoughts.

The inaugural lecturer will be the acclaimed photographer and scholar Richard Pare. Born in England in 1948, Pare studied photography and graphic design before moving to the United States in 1971 where he studied photography at the School of the Art Institute of Chicago. Since then he has been working as a curator and a photographer. He was the founding curator for the photography collection of the Canadian Centre for Architecture from its inception in 1974. He continues to write and lecture on the history of photography. His current project is a study of the architecture of Le Corbusier. His exhibitions and publications include Court House: A Photographic Document (1978) Photography and Architecture: 1839-1939 (1982), Tadao Ando. The Colours of Light, (1996, AIA monograph award), and The Lost Vanguard, Architecture of the Russian Avantgarde (2007).

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Tue 8 November 2016

International Conference inter≈ photography and architecture

Call for papers

Museo Universidad de Navarra, Pamplona

November 02 2016

Call for papers

Modern architecture cannot be altogether understood without the dissemination of its images. The blending between photography and architecture proved to be particularly fruitful in constructing the modern visual discourse. Architects became conscious of the full potential of photography beyond its documentary value, and photographers of architecture —architects themselves occasionally—, shortly became important composers and broadcasters of that narrative.

Simultaneously, the discourse around photography has become more and more complex, expanding its scope and surpassing a more traditional approach. XIXth century photographic documentation gradually gave in its way to new forms of exploration of reality, opening a wide range of possibilities and raising photographic and visual culture to a different level.

Photographers do not develop their work in a documentary sense as much as they seek to build a new reality perceived in subjective terms. They are involved in creating a new way of understanding the world. There is some consensus —as well as a subtler criticism— on the overflowing of their disciplinary boundaries. Those boundaries seem to be blurred bringing photography closer and closer to visual arts, claiming this way that same autonomy and their own place in the construction of contemporary discourse. The question arises as to whether the relationship between photography and architecture provides new creative processes, not just simple combinations, and whether they affect and experience each other in such a way they bring to light new ways of understanding both fields.

This International Conference aims to delve into the essential cogitations associated to the development of both disciplines in a contemporary discourse, particularly on their mutual interactions, interferences, intersections and interpretations. The Conference is structured around the following topics:

Interactions. Mixed profiles: Architectural Photographers vs Photographic Architects / The photographic gaze as an analytical and design tool for architects to create spaces / Architecture and Image / The Visual Discourse of Architecture

Interferences. Photography as a Historical Builder / History of Photography vs. Architectural History / The Documentary Photographs of Architecture.

Intersections. Architecture and Urban Landscape in Photography / Architecture under the artistic view / Photography: Piece of art or Document / Discursive and Iconic Records.

Interpretations. Museums and Galleries: Curating Architecture / Photography and the Dissemination of Architecture / The role of visual media in shaping the modern and contemporary discourse / Digital photography / Image as a virtual construction.

The committee encourages experienced and junior scholars to send abstracts, Spanish and/or English, exploring any of the above-mentioned topics. Selected authors will have the opportunity to present their contributions during the Conference. Accepted papers will appear in the conference proceedings publication that will be indexed in major international databases. Authors could be also awarded and invited to submit an extended version to be published as a chapter in a future publication edited by the organization. Please send a 400-word abstract along with a short CVby the on-line platform at the Conference website. Info by e-mail: .(JavaScript must be enabled to view this email address)

Abstracts deadline submission: February 25th, 2016.
Notification: March 14th, 2016
Paper submission deadline: September 1st, 2016
Sessions will take place at Museo Universidad de Navarra

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Wed 2 November 2016

Xiii. inteRnationales Bauhaus-Kolloquium: Dust anD Data

Bauhaus-univeRsität weimaR

October 26 2016 - October 29 2016

The Bauhaus-Universität Weimar cordially invites you to the XIII. International Bauhaus-Kolloquium. The conference will celebrate its fortieth anniversary, and reflect on almost a century’s history of the Bauhaus, as well as the history of its international recep- tion and migration. Through the thematic sections OBJECT, ARCHIVE, MIGRATION und DATA, we will examine new methods of historiography, architectural analysis and production in order to address contemporary political transformations.

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Wed 26 October 2016

The Scholarship of Social Engagement Symposium: call for papers

October 20 2016 - October 21 2016

The University of Kansas is convening a symposium that assembles internationally recognized thought leaders on the subject of critical engagement. These practitioners and their work are increasingly being highlighted at conferences, through exhibits, and in literature. Our symposium seeks to investigate the theoretical underpinnings of such work and translate these action-based community engagement efforts into interdisciplinary and theoretically-based scholarship. We will convene this group of scholars in order to establish a framework for the critical inquiry and review of the public impact of socially engaged discourse and design. The symposium will gather a group of scholars, practitioners, critics, and historians to discuss different aspects, forms, and features of social engagement that have developed across time and regions.

Abstract due: April 15, 2016

Additional information on the symposium, submission, calendar of events, registration, and organizers can be found at the website below.

Contact: email: .(JavaScript must be enabled to view this email address)

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Thu 20 October 2016

New Courses

Architecture MA

University of Westminster, London

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Thu 15 October 2015

CHASE PhD scholarships: Kent School of Architecture

University of Kent, Canterbury, UK

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Mon 24 October 2016

MA Architectural History, The Bartlett School of Architecture, UCL

The Bartlett School of Architecture, UCL, London

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Wed 9 January 2013

MA in Architectural Design

School of Architecture, University of Sheffield

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Wed 9 January 2013

MA in Urban Design

School of Architecture, The University of Sheffield

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Wed 9 January 2013

MA Spatial Practices: Art, Architecture, and Performance

University College for the Creative Arts

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Thu 24 December 2009

MSc in Architectural History and Theory, University of Edinburgh

Edinburgh School of Architecture and Landscape Architecture (ESALA), ECA, University of Edinburgh

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Thu 14 May 2015

MSc Urban Studies

University College London

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Thu 24 December 2009