Registration of interest: 1 July 2016
Journal of Interior Design
July 01 2017
A special journal issue dedicated to creative scholarship in interior design and its allied disciplines and practices to be published early 2018.
Sat 1 July 2017
If you would like to receive this information by e-mail, and you haven't yet signed up as a member of AHRA, please follow the link to the AHRA website for details of how to register on the database. Membership is currently free and is open to all humanities researchers working in Schools of Architecture and related disciplines both in the UK and overseas. Please also encourage colleagues to register here: http://www.ahra-architecture.org/registration/
If you are planning a research event that you would like to promote through the newsletter, please log in to the AHRA website and post the details by clicking on the 'Post Your Event' link under the 'Events' menu. These details will appear on the 'Future Events' page within a few days (subject to moderation) and will also be included in the next issue of the Newsletter. If you have not logged in to the site before, you should enter your default username ('firstnamelastname') and click on the 'forgotten your password' link for further instructions.
To promote other items of interest (new books, courses, other research resources etc) please send details by email to Stephen Walker at:
The next newsletter will be issued in June 2016
Journal of Interior Design
A special journal issue dedicated to creative scholarship in interior design and its allied disciplines and practices to be published early 2018.
Sat 1 July 2017
University of Reading, UK
The nature and value of professional judgment and knowledge is increasingly being called into question as new technologies give access to new ways of working. This conference provides an opportunity for practitioners and academics to come together to understand and learn from differ- ent models of professionalism across Architecture and the Built Environment, over time and across the globe. The conference is part of the AHRC funded Evidencing and Communicating the Value of Architects project http://www.valueofarchitects.org.
Thu 27 April 2017
Wellington, New Zealand
There is something nearly indescribable yet palpable in the transfer between embodied works of
art and the textual inscriptions that imagine,
co-exist alongside them.
This parallel and often intersecting dialogical relationship bears out the ways
that practices such as live art,
dance and music
depend, expand upon, repeat and exacerbate practices such as script and score-writing poetry,
and writing associated with creative practice-led research.
This synaptic condition is what John Hall calls out in On Performance Writing, with pedagogical
sketches (2013) as gestures of actualisation,
writing as itself performance,
the very literal taking place over time, slowly, meticulously,
and performance as an event that is more than the writing
where the writing’s concern is with its relation to the full context of the performance. (61)
Here we find shared attentiveness towards the shaping of words,
time and space,
to effectively and
Performing, Writing: A symposium in four turns imagines how a text can be conceptualised, written, presented and figured
with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative,
dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of
an artwork? How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-
ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically? How might a
new culture of criticality develop in between acts of “performing through”?
Proposals due 1 July 2016. See the website for details: www.performingwriting.com
Dr Julieanna Preston
Professor of Spatial Practice
Toi Rauwharangi College of Creative Arts
Te Kunenga o Purehuroa Massey University
Mobile +6421 842616
Skype user name buildingartpractice
Sat 4 March 2017
Performing, Writing: A symposium in four turns imagines how a text can be
conceptualised, written, presented and figured with equal
or more contingency and responsiveness to temporal and corporeal happenings, and
vice versa. What creative, dialogic, autobiographical or alternative writing approaches
might elicit a text that engages with the plurality of affects of an artwork? How might a
creative work be informed, inspired, directed, scripted or critiqued with the same respect
for live-ness that unfolds spatially as it does textually? How might these parallel practices
inhabit space symbiotically? How might a new culture of criticality develop in between
acts of “performing through”?
The symposium seeks to attract contributions from a wide range of creative practices
such as architects, designers, performance artists, writers, musicians, dramaturges and
dancers. It is structured as four turns playing out across several days of experiences,
textures, flavours and modalities linking acts of performing with acts of writing.
Turn One: ON Live occurs as part of Performance Arcade, a public programme running
1-5 March 2017 on the Wellington waterfront and beyond. This turn includes a collection of
curated new performance works, the symposium opening event and a series of master classes.
The performance works are intended to highlight the primacy of practice and serve as hosts
for on-going discussion around the translation or transference between performance works
and textual works. Proposals for this aspect of the symposium should be submitted
directly to Performance Arcade. (http://theplaygroundnz.com) Performing, Writing will
formally begin on 4 March 2017, giving all symposium participants a chance to witness
the Arcade works at least once and engage in ‘floor talks’ and masterclasses.
Each of day of Turn Two-Four is a curated excursion into and around the city with a set
topic, provocation, programme and location. ON Site takes the symposium to Matui (also
known as Somes Island) in the middle of the Wellington Harbour, an island rich in cultural,
geographical and gelogical history. (See https://en.wikipedia.org/wiki/Matiu/Somes_Island)
ON Score finds the symposium on an urban derive through the city, a portable and mobile
symposium lightly occupying public space. ON Voice is a day dedicated to the exploration
of aurality and oral traditions including those associated with storytelling, singing and
public speaking. The location for this excursion is yet to be determined.
Each day includes a keynote lecture open to the public. We can confirm that the keynotes
for this symposium are John Hall (Emeritus Professor Falmouth University), Esther Anatolitis
(Director of Regional Arts Victoria) and Matthew Goulish (School of The Art Institute of
Chicago) plus one yet to be confirmed speaker. There are plans a foot to add Turn
Five, a post-symposium peer-reviewed guest edited journal issue of Studio Research with
the aim to publish by December 2017.
A FULL SYMPOSIUM PROPOSAL should include:
A Cover Sheet (sent as a separate word document) listing your name(s), proposal title,
affiliation(s), contact details.
A Proposal (sent as a separate word document no more than 2 A4 pages) that presents,
describes, imagines and contextualises your contribution to the symposium. Images,
drawings and links are encouraged. Avoid revealing your identity in this document.
Identify which of the day provocations your proposal links to best and how. List any
equipment required. Unlike most conferences and symposiums where presenters are
allocated 20 minutes and the mode of delivery defaults to Powerpoint projections in a
darkened room, this event challenges us to inhabit time, space and body with a broader
spectrum of possibilities. For example, one could occupy 5 minutes of each day at the same
time, prompt a participatory exercise, or incite an oration or inscription in relation to the
local architecture. The symposium programme will be crafted to support the variety of
FAQ will be posted and updated on the website: http://www.performingwriting2017.com
Wed 1 March 2017
Theory’s history, 196X – 199X
Challenges in the historiography of architectural knowledge
KU Leuven, Belgium
CALL FOR PAPERS – INTERNATIONAL CONFERENCE IN BRUSSELS
9th-10th of February, 2017.
Submission deadline: 15th of June, 2016
In recent international literature addressing the history of 20th century architectural theory, the year 1968 is indicated as a decisive moment, giving rise to a ‘new’ architectural theory. From that moment onwards, emphasis was no longer placed on the aesthetics of architecture, but on its critical potential. Yet, according to some scholars, this intensification of theory was short-lived. A presence of coexisting and even contradictory paradigms derived from very different epistemic domains (anthropology, philosophy, linguistics, social sciences, etc.) led to a setback of theory, resulting in an end-of-theory atmosphere in the 1990s.
It is not a coincidence that the so called death of architectural theory concurred with the upsurge of anthologies on architectural theory that collect and classify referential texts. Instead of burying theory, these anthologies had an additional effect, namely to institutionalise it. In other words, they offered both closure to a past period and also defined the locus of a next period of theorisation, invoking a ‘historical turn’. At the same time architectural discourses, and especially architectural historiography, were engaging with new theoretical fields such as gender studies or postcolonial studies, giving rise to a continued production of theoretically informed books and articles.
The goal of this conference is to discuss the methodological challenges that come along with this historical gaze towards theory, by focusing on the concrete processes in which knowledge is involved. By screening the unspoken rules of engagement that the accounts of post-war architectural theory have agreed to and distributed, we want to point at dominant assumptions, biases and absences. While anthologies inevitably narrate history with rough meshes, we believe it is time to search for those versions of theory formation that have slipped through these nets of historiography, in order to question the nature of theory and the challenges it poses to historians. How do you do historical research on something as intangible as theory, or in a broadened sense, the knowledge of architecture?
We are in other words not only interested in what theorists and practicing architects were arguing for, but also how, why and where they did so. Looking at case-studies, the singular and ‘minor’ expressions of theory, the local discourses and the different formative contexts (e.g. education, publication culture) can be subjected to careful scrutiny. We particularly welcome case-studies from the 1960s to the 1990s that deal with one or more topics formulated in the full CFP:
A) the Place of Knowledge
1. Theory’s Geography
2. The Expressions of Knowledge
3. The Agendas of Theory
B) the Figure of Knowledge
1. Minor Historiography
2. The Making of the Architectural Theorist
C) the Time of Knowledge
1. Problems of Periodization
2. Architectural Theory and Postmodernity
3. Problems of Historical Distance
Please visit our website for up to date information and for the full CFP: architecture.kuleuven.be/theoryshistory
This two-day conference will be held in Brussels on Thursday and Friday 9th - 10th February 2017. The conference aims to bring together both young and established scholars from every discipline that is able to engage with the topics outlined above. Confirmed keynotes are Joan Ockman, Ákos Moravánszky and Łukasz Stanek.
We’re happy to receive abstracts of up to 300 words until the 15th of June, 2016. Information on how to submit is provided on our website. Abstracts will be anonymously reviewed by an international scientific committee. Authors will be notified of acceptance on the 15th of July 2016. In order to provide a solid conference, we expect full papers one month in advance of the conference, i.e. 1st of January, 2017.
Please note that there will be a conference fee for participants of maximum €150 and a reduced price for students.
Hilde Heynen (chair, KU Leuven)
Maarten Delbeke (UGent)
Rajesh Heynickx (KU Leuven)
Yves Schoonjans (KU Leuven)
Joan Ockman (University of Pennsylvania)
Ákos Moravánszky (ETH Zürich)
Łukasz Stanek (University of Manchester)
Teresa Stoppani (Leeds Beckett University)
Hélène Jannière (Université Rennes 2)
K. Michael Hays (Harvard) (TBC)
Thu 9 February 2017
School of Architecture Royal Institute of Technology (KTH) Stockholm, Sweden
The 2016 AHRA conference will address connections between architecture and feminisms with an emphasis on plural expressions of feminist identity and non-identity. From radical feminist, to lesbian feminist, to black feminist, to post-colonial feminist, to crip feminist, to queer feminist, to trans feminist, to Sara Ahmed’s feminist killjoy, to feminist men, to posthuman feminist, to the liberal and neoliberal feminist, to material feminist, to marxist feminist, to eco feminist, to Roxane Gay’s popular Bad Feminist and many others, even to post feminist voices, the claim to feminism continues to be tested and contested. And this conference will be no exception. Between architecture and feminisms our specific focus will be upon transversal relations across ecologies, economies and technologies. Specifically, we are concerned with the exploration of ecologies of practice, the drawing out of alternative economies, and experimentation with mixed technologies, from craft to advanced computational technologies.
Thu 17 November 2016
The Bartlett School of Architecture, University College London
Drawing Futures is an international peer-reviewed conference on speculative drawing for art and architecture. Drawing Futures 2016 will be held on the 10 – 11 November 2016 at The Bartlett School of Architecture, UCL.
The two-day conference will bring together some of the world's leading practitioners in drawing for conversations about the contemporary cutting-edge and future directions of drawing as a critical tool for art and architecture.
Reviewed by an international panel of experts, projects presented at Drawing Futures will be selected through an open call for works. Drawn experiments, representational speculations and written provocations on the art of drawing in our digitally mediated world will address the themes:
Augmentations – Extending drawing through new technologies and materials.
Deviated Histories – Redefining or breaking from the history of drawing.
Future Fantasticals – Drawing as a tool for speculative thought.
Protocols – Encoding new information and data through drawings.
Drawing Futures will feature an exhibition at The Bartlett School of Architecture’s new 22 Gordon Street building showcasing selected submissions. A Drawing Futures book will also be published, featuring work of selected contributors from the public call for works, as a critical compendium of contemporary drawing practice in art and architecture.
Follow us on Twitter for more news at @BartlettArchUCL and @DrawingFutures
Thu 10 November 2016
Museo Universidad de Navarra, Pamplona
Modern architecture cannot be altogether understood without the dissemination of its images. The blending between photography and architecture proved to be particularly fruitful in constructing the modern visual discourse. Architects became conscious of the full potential of photography beyond its documentary value, and photographers of architecture —architects themselves occasionally—, shortly became important composers and broadcasters of that narrative.
Simultaneously, the discourse around photography has become more and more complex, expanding its scope and surpassing a more traditional approach. XIXth century photographic documentation gradually gave in its way to new forms of exploration of reality, opening a wide range of possibilities and raising photographic and visual culture to a different level.
Photographers do not develop their work in a documentary sense as much as they seek to build a new reality perceived in subjective terms. They are involved in creating a new way of understanding the world. There is some consensus —as well as a subtler criticism— on the overflowing of their disciplinary boundaries. Those boundaries seem to be blurred bringing photography closer and closer to visual arts, claiming this way that same autonomy and their own place in the construction of contemporary discourse. The question arises as to whether the relationship between photography and architecture provides new creative processes, not just simple combinations, and whether they affect and experience each other in such a way they bring to light new ways of understanding both fields.
This International Conference aims to delve into the essential cogitations associated to the development of both disciplines in a contemporary discourse, particularly on their mutual interactions, interferences, intersections and interpretations. The Conference is structured around the following topics:
Interactions. Mixed profiles: Architectural Photographers vs Photographic Architects / The photographic gaze as an analytical and design tool for architects to create spaces / Architecture and Image / The Visual Discourse of Architecture
Interferences. Photography as a Historical Builder / History of Photography vs. Architectural History / The Documentary Photographs of Architecture.
Intersections. Architecture and Urban Landscape in Photography / Architecture under the artistic view / Photography: Piece of art or Document / Discursive and Iconic Records.
Interpretations. Museums and Galleries: Curating Architecture / Photography and the Dissemination of Architecture / The role of visual media in shaping the modern and contemporary discourse / Digital photography / Image as a virtual construction.
Abstracts deadline submission: February 25th, 2016.
Notification: March 14th, 2016
Paper submission deadline: September 1st, 2016
Sessions will take place at Museo Universidad de Navarra
Wed 2 November 2016
The University of Kansas is convening a symposium that assembles internationally recognized thought leaders on the subject of critical engagement. These practitioners and their work are increasingly being highlighted at conferences, through exhibits, and in literature. Our symposium seeks to investigate the theoretical underpinnings of such work and translate these action-based community engagement efforts into interdisciplinary and theoretically-based scholarship. We will convene this group of scholars in order to establish a framework for the critical inquiry and review of the public impact of socially engaged discourse and design. The symposium will gather a group of scholars, practitioners, critics, and historians to discuss different aspects, forms, and features of social engagement that have developed across time and regions.
Abstract due: April 15, 2016
Additional information on the symposium, submission, calendar of events, registration, and organizers can be found at the website below.
Thu 20 October 2016
University of Bamberg, Germany
The Human in Architecture and Philosophy: Towards an Architectural Anthropology
3rd International Conference of the International Society for the Philosophy of Architecture (ISPA)
Wednesday July 20 to Saturday July 23 2016
Department of Philosophy, University of Bamberg
Wed 20 July 2016
A 2 day conference to re-position thinking around the notions of the Smart City, through an examination of its many manifestations.
Fri 15 July 2016
University of Kent
CREAte, the research centre for architecture and the humanities at the Kent School of University, University of Kent, is holding a conference in collaboration with the Architectural Review which will bring together quite different traditions of writing about historic buildings. The special character of this conference is that speakers will be drawn from both academic and non-academic fields, and from a range of disciplines that touch on architectural experience and history. In this way we aim to offer a new experience for writers on architecture, interior design and urban space.
We are inviting papers from those in Architecture, English, History, Sociology, Film and Drama, Landscape Studies and related disciplines with a specialist interest in writing about buildings and urban spaces or experiences across different time periods. The common theme of the papers will be the uses of a variety of voices in creating architecture culture.
Writing Buildings will be a two-day conference on the subject of alternative ways of writing architectural history which will encourage experimentation in criticism through breaking disciplinary barriers. The programme will include papers from both academic disciplines and non-academic professions which engage with the built environment, for example, journalism, interior design and construction
Thu 14 July 2016
Stills Centre for Photography, Edinburgh
Urban Fabric: Greige is an installation of photographs of Melbourne’s mid-twentieth century curtain wall facades in which the latent image of Harris Tweed was exposed.
Sat 9 July 2016
New Harmony, Indiana, United States of America
fThe Forum of Architecture, Culture and Spirituality announces its next annual Symposium. ACS 8 will take place in the historically significant, beautiful and enchanting town of New Harmony, Indiana. This place, through its remarkable history, offers the perfect opportunity to consider the relationships between Utopia, Architecture and Spirituality, the very topic of the ACS 8 Symposium. More specifically, ACS 8 asks us to look at utopia as an idea and ideal, real and imagined, in all of its ramifications for architecture and the built environment, culture, politics, and, especially, spirituality. ACS 8 asks us to reflect on utopias past, to explore utopia in the present reality, and to speculate on how designers can take up utopian ideas and action in the future.
ACS 8 will take place June 23-26, 2016. New Harmony, Indiana, is about 2.5 hours drive from Saint Louis (Missouri) and 2 hours from Louisville (Kentucky). ACS 8 is being organized by four co-chairs. In alphabetical order by last name, they are: Ben Jacks, Nancy Mangum McCaslin, Ben Nicholson, and Michelangelo Sabatino.
ACS 8 co-chairs kindly invite all individuals interested in participating in this event to submit 500-1000 extended abstracts. All work will be blind-peer reviewed by at least three separate scholars/practitioners. The submission deadline is Monday 18 January 2016. Please, visit the symposium website to learn about all the necessary details
Thu 23 June 2016
Edinburgh School of Architecture and Landscape Architecture, Edinburgh College of Art, University of Edinburgh UK
This symposium sets out to explore diverse practices, affects, politics and cultural meanings of silence in historical and contemporary contexts. Situations in which silence is said to be experienced or practiced are highly relative, and the term itself – which is often linked to some condition of cessation or interval – carries complex and varied significations. Thus while, on one hand, the often-remarked upon contemporary ‘loss of silence’ has been frequently linked to a disappearance of reflection or inwardness, silence has also, on the other, been understood as a condition of intensified outwardness – of heightened attention, anticipation, suspense or expanded listening. As life in communities or institutions of silence show, it is about much more than refraining from vocalization – rather, it is a fully embodied practice that implicates movement, gesture, breathing and touch. Approached from another point of view, the role that silence has played as a critical gesture, as a condition of refusal and noncompliance, suggests that the term might be conceptualized in relation to questions of autonomy. Moreover, in certain circumstances, it gains an ethical dimension and force, as is the case with the silence that is exercised to protect others or that is the defendant’s right. At an extreme, silence is often the sign of a limit condition – the silence that falls at the point of exhaustion, catastrophe or technological breakdown. Similarly, it is taken to mark the traumatic limits of experience, as that which testifies to an event beyond any possibility of adequate expression or symbolization. And yet at the same time it inheres in the everyday, appearing as the very precondition of communication, as the gap or delay that acts as the support of speech, or the spacing that forms the condition of legibility of written text. Again, silence might be approached as a particular area of interest that articulates with the larger question of atmosphere, and hence aura, affect, ambience and Stimmung (attunement, mood, disposition).
Gernot Böhme (Institute for Practical Philosophy, Darmstadt).
Paul Carter (Professor of Design (Urban), School of Architecture and Design/Design Research Institute, RMIT University, Melbourne).
Mark Dorrian (Forbes Chair in Architecture, Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh, Edinburgh).
Alberto Pérez-Gómez (Saidye Rosner Bronfman Professor, School of Architecture, McGill University, Montreal).
Wed 22 June 2016
In accordance with its mission statement, the EAHN is organizing a meeting which is intended to increase the visibility of the discipline, foster transnational, interdisciplinary and multicultural approaches to the study of the built environment, and facilitate the exchange of research results in the field. Although the scope of the meeting is European, members of the larger scholarly community are invited to submit proposals related not only to European architecture but also to that of the rest of the world.
The main purpose of the meeting is to map the general state of research in disciplines related to the built environment, to promote discussion of current themes and concerns, and to foster new directions for research in the field. Session proposals are intended to cover different periods in the history of architecture and different approaches to the built environment including landscape and urban history. Parallel sessions will consist of either five papers or four papers and a respondent, with time for dialogue and questions at the end. In addition, a limited number of roundtable debates addressing key issues in the field will also take place at the meeting. Proposals for these should re-map, re-define, or outline the current state of the discipline. They will typically consist of a discussion between panel members and encourage debate with the audience. The goal is to create a forum in which different scholars can present and discuss their ideas, research materials and methodologies.
Thu 2 June 2016
Featuring keynote addresses by Jean-Louis Cohen, Roger Stalley, and Sibel Bozdogan and twenty five sessions and roundtables, the EAHN fourth International Conference will be held in Dublin Castle from 2-4 June 2016 with ancillary events and tours on the previous and subsequent days. Early bird registration through 31 March.
Wed 1 June 2016
University of Westminster Marylebone Site, M/416 (Evans Room)
This seminar aims to reassess the work of Italian photographer Gabriele Basilico (1944-2013), whose contribution to the development of urban photography remains relatively little known in Britain. Basilico graduated in architecture from Milan Polytechnic and began to photograph urban landscapes in the early 1970s under the influence of the 'new topographics' approach. After portraying Milan's factory buildings, he went on to photograph cities around the world for the next four decades. His formation shaped his distinctive way of observing urban space through the camera. By seeking familiar elements in the most foreign of places, he established an intimate bond with the city as an ever-changing living organism. What is the significance of Basilico’s work today, and what is its legacy? An international panel will reflect on these questions from the perspectives of architecture, photography, art history, and Italian Studies. While focusing on the work of a singular figure, the seminar will address wider issues concerning the relationship between contemporary photography and the experience of urban space.
Attendance is free. Register on Eventbrite:
Alexandra Tommasini, The Bridget Riley Art Foundation, London
Eugénie Shinkle, Department of Photography, University of Westminster
Angelo Maggi, Università IUAV di Venezia
Marina Spunta, School of Modern Languages, University of Leicester
Davide Deriu, Department of Architecture, University of Westminster
Wed 18 May 2016
Department of Architecture, Monash University, Australia
The Department of Architecture at Monash University seeks a Professor /Associate Professor of Architecture History.
The department is an internationally networked, creative community of practitioners, educators and researchers engaged with the shifting landscapes of the discipline, and the changing role of the architect as designer, persuasive collaborator and visionary mediator. The department strives to be innovative and relevant to contemporary culture and encourages interdisciplinary connections through design-based teaching and research as well as traditional scholarship.
Reporting to the Head of Department, the Professor/Associate Professor will lead the development of history research themes and capabilities to complement the department's mission and will demonstrate the capacity to contribute to contemporary debates, relevant cultural issues, and emerging pedagogies.
Candidates must have a PhD in architecture or a related field and demonstrate excellence in architecture history scholarship evinced by an outstanding track record of success in competitive research funding schemes and high-esteem, internationally recognised scholarly publications.
Sun 10 April 2016
University of Sheffield School of Architecture (SSoA)
The 2016 AHRA PhD Student Symposium will be hosted by the University of Sheffield School of Architecture, with presentations from current graduate students in the architectural humanities. The symposium will be free to attend, but registration is required via this Eventbrite site:
Thu 7 April 2016
At a time when the technologies and techniques of producing the built environment are undergoing significant change, this book makes central architecture’s relationship to industry. Contributors turn to historical and theoretical questions, as well as to key contemporary developments, taking a humanities approach to the Industries of Architecture that will be of interest to practitioners and industry professionals, as much as to academic researchers, teachers and students. How has modern architecture responded to mass production? How do we understand the necessarily social nature of production in the architectural office and on the building site? And how is architecture entwined within wider fields of production and reproduction—finance capital, the spaces of regulation, and management techniques? What are the particular effects of techniques and technologies (and above all their inter-relations) on those who labour in architecture, the buildings they produce, and the discursive frameworks we mobilise to understand them?
Fri 5 February 2016
‘Capitalism is back!’
Nancy Fraser, “Behind Marx’s Hidden Abode: For an Expanded Conception of Capitalism”, New Left Review 86 (2014) p. 55
The aim of this issue of Architecture and Culture is to revisit the relationship between architecture and capitalism, not by reverting back to ‘critique’, ‘post-criticality’ or even ‘resistance’, but from an outset of addressing their complex relationality. Going beyond the historic, industrial and building-based scenario offered by Peggy Deamer (ed.) in Architecture and Capitalism (2014), extending on and problematizing both architecture and capitalism allows us to address this relationship from other perspectives. We propose a thematic heading of ‘solids and flows’ to open up for less predictable, essentially non-linear, and more imaginary investigations.
Solids – which is how architecture most readily is perceived, as tied to buildings, symbolic and semiotic capital, manifestations of private or public wealth … but equally capturing the inaccessibility of corporate power; the ‘trust’ of credit ratings that certify risk-taking in the bank and finance sector; the closure and immovability of capital locked up in tax havens and offshore financial centres.
Flows – as in the fickle movements of global capitalism through networks of finance and speculation (and the arbitrary effects of their hitting the ground)… but equally capturing recent re-orientations in architecture towards relational or ecologist approaches, undoing the physical object, with an emphasis on process, agency and affect. Spanning across the virtual and the real, the material and the immaterial, the relationship between architecture and capitalism increases in complexity as regards to the production of identity, the generation of desire, and the forging of spatial relations. By juxtaposing solids and flows as tropes or figures of thought, we envisage the possibility for new and transversal connections; ones that, by exposing the gaps, discontinuities and ruptures in, through and between architecture and capitalism carry the potential for non-determinate futures.
Call for papers for this issue
From this outset, we invite rigorously speculative, purposely imaginative, visually and verbally stimulating contributions that explore architecture and capitalism from unexpected angles – bearing in mind the slippery slope of too-narrowly confined definitions. This call is explicitly trans- and cross-disciplinary in nature, encouraging critical and emerging scholarship dealing with capitalist studies to engage with architecture as a tradition of projecting, shaping, assessing and experiencing the built environment; and scholars and practitioners in architecture and neighbouring disciplines to relate more closely to the dynamics of capitalism and its current transfigurations, brought to the fore through the advent of concepts and theories such as noologi, affective or immaterial labour, economies of debt, new Marxist scholarship, and neo-materialist ontologies. How can we think about these conjunctions of materialisation and immaterialisation, visibility and invisibility, solidification and vaporization? How can they be analysed, illustrated, represented, designed or described? We call for papers, essays, manifestos, historical inquires, fieldwork notes, photographic compilations, drawing materials etc. that address this broad and fluid topic in creative and original ways.
Contributions might address the following themes:
Contributions can range from short observations or manifestos, creative pieces, or visual essays, to longer academic articles. Architecture and Culture is published in both on-line and hard-copy formats: there is capacity to host on-line contributions that operate in a different way to paper-based work.
CfP May 2016
Response 1 September 2016 at latest
Editors selection October 2016
Peer Reviewing October-December 2016
Authors Revisions December- February 2017
Editorial checking March 2017
Copy to publisher 1 April 2017
Issue publication July 2017
For author instructions, please go to ‘Instructions for Authors’ at
Upload submissions at: http://www.editorialmanager.com/archcult/
Or via ‘submit online’ at http://www.tandfonline.com/loi/rfac
If you have any queries or require further information, please contact:
Mon 16 May 2016
Thu 15 October 2015
Wed 9 January 2013
Wed 9 January 2013
Wed 9 January 2013
Thu 14 May 2015