AHRA Newsletter:
December 2016–January 2017

If you would like to receive this information by e-mail, and you haven't yet signed up as a member of AHRA, please follow the link to the AHRA website for details of how to register on the database. Membership is currently free and is open to all humanities researchers working in Schools of Architecture and related disciplines both in the UK and overseas. Please also encourage colleagues to register here: http://www.ahra-architecture.org/registration/

If you are planning a research event that you would like to promote through the newsletter, please log in to the AHRA website and post the details by clicking on the 'Post Your Event' link under the 'Events' menu. These details will appear on the 'Future Events' page within a few days (subject to moderation) and will also be included in the next issue of the Newsletter. If you have not logged in to the site before, you should enter your default username ('firstnamelastname') and click on the 'forgotten your password' link for further instructions.

To promote other items of interest (new books, courses, other research resources etc) please send details by email to Stephen Walker at:

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The next newsletter will be issued in February 2017

New Events

Architecture, Festival and the City

14th AHRA International Conference

School of Architecture and Design, Birmingham City University, UK

November 16 2017 - November 18 2017

What is ritual in today’s rationalistic, post-symbolic age?
What forms of collective participation can the civic realm sustain in the twenty-first century?
Can there be any meaningful form of collective representation in our predominantly individualistic and globalised society?
Are urban festivals, carnivals and rituals fundamentally inclusive or exclusive?

These questions, amongst others, will serve as points of reference for this conference which examines past and present urban festivals and their settings in relation to the idea of ‘the good city’.

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Thu 16 November 2017

AA Women & Architecture in Context 1917-2017

CALL FOR PAPERS

The Architectural Association School of Architecture in London

November 02 2017 - November 04 2017

AA XX 100 is the project to commemorate the centenary of women’s admission to the Architectural Association School of Architecture in London in 1917. To date it has comprised a raft of complementary enterprises including an annual lecture series and an ongoing programme to conduct filmed interviews with AA alumnae. The project culminates in autumn 2017 with an exhibition (October - December 2017), a book (Breaking the Mould: AA Women in Architecture 1917-2017) and an international conference (AA Women and Architecture in Context 1917-2017) run in partnership with the Paul Mellon Centre for Studies in British Art.

We now announce the Call for Papers for the conference, which will take place between 2nd and 4th November 2017 at the AA and the Paul Mellon Centre in Bedford Square, London, W.C.1.

We invite academics, architects and other practitioners to submit proposals for 20-minute papers in response to the themes listed on the attached poster. Submissions are encouraged from researchers at all stages of their careers, and papers should be understood as not confined purely to the AA as a subject matter but equally to the wider context of women and architecture across the centenary period.

Format:

Paper proposals should be 300 words in length; please include contact details, affiliation and a brief CV.

Poster proposals should be up to 300 words in length; please include contact details, affiliation and a brief CV.

Both should be emailed to: .(JavaScript must be enabled to view this email address)

Deadline for proposals is 12.12.16, for notification no later than January 2017. Successful applicants will be expected to cover their own costs for travel and accommodation but will have free entry to the conference.

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Thu 2 November 2017

Building Beauty

Ecologic Design and Construction Process

Naples, Italy

October 16 2017 - May 05 2017

Building Beauty is an intensive, memorable experience of studies team work and life in the heart of the city of Naples, Italy.

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Mon 16 October 2017

Territories of Faith

Religion, Urban Planning and Demographic Change in Post-War Europe, 1945 – 1975

Leuven, Belgium

July 03 2017 - July 04 2017

The research group Architectural Cultures of the Recent Past (ARP) of KU Leuven and KADOC, the Documentation and Research Centre on Religion, Culture and Society of KU Leuven, are organizing an international workshop on religion, urban planning and demographic change in post-war Europe as a prelude to an edited volume on this topic, to be published by an international academic press.

 

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Mon 3 July 2017

CFP: JID special issue: Interior design creative scholarship

Registration of interest: 1 July 2016

Journal of Interior Design

July 01 2017

A special journal issue dedicated to creative scholarship in interior design and its allied disciplines and practices to be published early 2018.

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Sat 1 July 2017

The Arts of Spinoza + Pacific Spinoza

Interstices Under Construction symposium: Call for Papers

Auckland University of Technology and University of Auckland, New Zealand

May 26 2017 - May 28 2017

We invite scholarly submissions on the philosophy of Benedict de Spinoza (1632-1677), for a special issue of Interstices journal and the annual Interstices symposium to be held in Auckland, New Zealand, 26-28 May 2017. The intent is to further consolidate the recent revival of interest in Spinoza’s thought, and to reaffirm his status as an enormously powerful thinker of contemporary relevance.  Papers on any aspect of Spinoza studies are thus welcomed. But the more specific aim of the symposium and journal issue is twofold: firstly, to extend the burgeoning scholarship on Spinoza into the domains of study parsed by Interstices, namely arts and architecture, and secondly, to situate Spinoza’s philosophy within the particular locus of New Zealand, Australasia, the South Pacific, and the Pacific Rim more broadly. Each of these aspects will be tackled in separate sessions or separate days of the symposium.
            With regard to the first aim, we welcome submissions that put Spinoza’s philosophy in productive proximity with a particular artform or an individual work of art, whether literature, painting, sculpture, architecture, film, music, dance, performance, etc. — or that have an especial focus on any of the numerous artistic and literary figures who are known to have read Spinoza appreciatively and in whose works Spinozist shadings might be discerned (Goethe, Coleridge, George Eliot, Thomas Hirschhorn, etc.). Contributors might like to think of this event and journal issue as extending, in the direction of arts and architecture, the very fine work done by the anthology Spinoza Beyond Philosophy (2012, ed. Beth Lord).
Since Interstices’s particular interest is in architectural studies, we would be keen to see contributions that consider Spinoza as helpful for thinking any of the design and spatial disciplines (architecture, urban design, landscape, geography, interior design, and so on). Contributors might also choose to take ‘architecture’ in the sense of ‘structure’, in which case not only would built environments and tectonics be the subject of analysis, but also the very structure of Spinoza’s texts, the extraordinary way in which his texts are wrought (the famous geometric architecture of the Ethics, for example).
We also invite submissions that don’t necessarily fall under any of the artistic disciplines listed above, and that interpret “arts” in the broadest possible sense. Spinoza’s philosophy predates the modern idea of a differentiated domain of the arts, and so the Latin word that Spinoza uses — ars — has the older and broader sense of skill or craft or ability or proficiency.[1] We thus welcome submissions that are about ‘arts’ in this more general sense — for example, about what Spinoza teaches us about the arts of living (ars vivendi) or the arts of constructing a liberal polity (ars politica, government, statecraft).
With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. Such papers might, for example, examine the historical reception and interpretation of Spinoza in New Zealand, Australia, the Oceanic “sea of islands”, or any proximate sister region.[2] The idea is to give geographic concreteness and local specificity to the interpretation of Spinoza — to see how Spinoza might be or has been read in New Zealand and the Pacific, and inversely to see how our ways of thinking about New Zealand and the Pacific might be productively inflected by reading Spinoza.

[1] See Moira Gatens, “Spinoza on Goodness and Beauty and the Prophet and the Artist”, European Journal of Philosophy 23, no. 1 (2015), p. 3.
[2] The reference is to Epeli Hau’ofa’s “Our Sea of Islands”, The Contemporary Pacific 6, no. 1 (1994), 147–161.

 

Abstracts of 300 words, along with a short biographical statement of 100 words, to be sent to .(JavaScript must be enabled to view this email address), by midnight nzst, 30th January 2017. For purposes of peer review, the abstract should be sent in a separate self-contained file with no identifying information in it. Please send Microsoft Word files only (doc or docx). Abstracts will be vetted through a process of blind peer review.
Selected papers from the symposium will be invited for revision, peer review, and publication in the subsequent issue of Interstices. If you are unable to attend the symposium in New Zealand, but wish to submit a paper for the journal issue, please send the full and completed paper to .(JavaScript must be enabled to view this email address) by 31st May 2017.
Further inquiries can be directed to the convenor Eu Jin Chua, .(JavaScript must be enabled to view this email address), Farzaneh Haghighi, .(JavaScript must be enabled to view this email address), or to Susan Hedges, the Coordinating Editor of Interstices, .(JavaScript must be enabled to view this email address).

A fuller Call for Papers / Discussion Document is attached as a PDF file, or available online at http://www.interstices.ac.nz/news-events/

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Fri 26 May 2017

2017 Conference of the Architecture, Culture, and Spirituality Forum

Call for Papers, Presentations, and Workshops

Haystack Mountain School of Crafts on Deer Isle, Maine

May 14 2017 - May 18 2017

Architecture, Culture, and Spirituality Forum (ASCF), an international academic-practitioner network, announces their 9th annual symposium "Practice, Craft, Materials, and Making” to be held May 14-18, 2017, at the renowned Haystack Mountain School of Crafts on Deer Isle, Maine.

We are inviting an expanded range of proposal types in order to illuminate, and experiment with, ideas on the spiritual dimensions of practice, craft, materials, and making of architecture -as well as its broader implications for the built environment. Proposals from individuals new to ACSF, including practitioners, graduate students, and those who have attended in the past but not presented, are especially welcomed and encouraged.


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Sun 14 May 2017

Buildings in Society International III - An interdisciplinary Approach.

Swedish History Museum, Stockholm

May 11 2017 - May 14 2017

Building studies fall too often into the disciplinary gaps between architectural history, archaeology and social anthropology. The Buildings in Society International conference is an attempt bridge those gaps, to draw from all these approaches and examine how people have created buildings and responded to them. The forthcoming conference would like to examine how people have been creating and using buildings, how they have responded to them, and how the buildings have been perceived. It will consider a diversity of built constructions - including dwellings and public buildings, sheds and manor houses, secular and sacral structures.

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Thu 11 May 2017

Professional Practices in the Built Environment

University of Reading, UK

April 27 2017 - April 28 2017

The nature and value of professional judgment and knowledge is increasingly being called into question as new technologies give access to new ways of working. This conference provides an opportunity for practitioners and academics to come together to understand and learn from differ- ent models of professionalism across Architecture and the Built Environment, over time and across the globe. The conference is part of the AHRC funded Evidencing and Communicating the Value of Architects project http://www.valueofarchitects.org.

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Thu 27 April 2017

Professional Practices in the Built Environment

University of Reading, UK

April 27 2017 - April 28 2017

The nature and value of professional judgment and knowledge is increasingly being called into question as new technologies give access to new ways of working. This conference provides an opportunity for practitioners and academics to come together to understand and learn from differ- ent models of professionalism across Architecture and the Built Environment, over time and across the globe. The conference is part of the AHRC funded Evidencing and Communicating the Value of Architects project http://www.valueofarchitects.org.

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Thu 27 April 2017

The Politics of Environments: Architectures, Natures and Data

Tallinn, Estonia

April 20 2017 - July 23 2016

Two themes stand out prominently in discussions, projects and strategies that are at the forefront of contemporary urbanisation. It is, on one hand, the question of ecology, where the city and architecture are reconceptualised in "green" terms such as sustainability, resilience, metabolic optimisation and energy efficiency. On the other hand is the cybernetic question, where the futures of architecture and urbanisation are staked upon the pervasive use of digital communication, interactive technologies, ubiquitous computing, and the "big data". Moreover, these two questions have become increasingly intertwined as two facets of a single environmental question: while real-time adjustments, behaviour optimisation and "smart" solutions are central to urban environmental agenda, the omnipresent network of perpetually interacting digital objects constitutes itself a qualitatively new environment within which urban citizens are enfolded. But as digital networks become our "second nature," we also hark back to the models derived from the "first nature".

With the growing pressure on architects, urbanists and planners to deliver ecological and techno-informational solutions, with (self-)monitoring of citizens "behaviour", optimisation of the buildings "performance", and smoothing of urban "flows", and with the respective substitution of democratic politics by automated governance models, it is ever more important to interrogate the historical, theoretical, methodological and epistemological assumptions beneath the above set of processes that can be described, following Michel Foucault, as environmental governmentality. These questions will be explored under three thematic tracks.

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Thu 20 April 2017

Performing, Writing Symposium March 2017

Wellington, New Zealand

March 09 2017 - March 19 2017

Performing, Writing: a symposium in four turns is an international interdisciplinary research-focussed event occurring in March 2017, Wellington NZ run in association with Performance Arcade.

This event imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. 

What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The proposal deadline has recently been extended to 15 July 2016 and the event dates have changed since the first posting in April this year.

See the website for details: www.performingwriting.com

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

 

 

 

 

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Thu 9 March 2017

Performing, Writing 2017

Wellington, New Zealand

March 04 2017 - March 09 2017

There is something nearly indescribable yet palpable in the transfer between embodied works of art and the textual inscriptions that imagine, forecast, relate, explain, document orco-exist alongside them. 

This parallel and often intersecting dialogical relationship bears out the ways that practices such as live art, performance, theatre, architecture, spatial design, dance and music depend, expand upon, repeat and exacerbate practices such as script and score-writing poetry, literary fiction, art criticism, ficto-criticism, curatorial writing, site writing  and writing associated with creative practice-led research.

 

This synaptic condition is what John Hall calls out in On Performance Writing, with pedagogical sketches (2013) as gestures of actualisation, performing thru; writing as itself performance, the very literal taking place over time, slowly, meticulously, and performance as an event that is more than the writing where the writing’s concern is with its relation to the full context of the performance. (61) 

 

Here we find shared attentiveness towards the shaping of words, breathe, body,  object, time and space, to effectively and affectively curate subjective encounters.

 

Performing, Writing: A symposium in four turns imagines how a text can be conceptualised, written, presented and figured 

with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, 

dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of 

an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-

ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a 

new culture of criticality develop in between acts of “performing through”?

 

Proposals due 1 July 2016. See the website for details: www.performingwriting.com

 

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

Mobile +6421 842616

Skype user name buildingartpractice

www.julieannapreston.space

 

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Sat 4 March 2017

Performing, Writing: A symposium in four turns

Call for Contributions

Wellington, NZ

March 01 2017 - March 05 2017

Performing, Writing: A symposium in four turns  imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The symposium seeks to attract contributions from a wide range of creative practices such as architects, designers, performance artists, writers, musicians, dramaturges and dancers. It is structured as four turns playing out across several days of experiences, textures, flavours and modalities linking acts of performing with acts of writing.

A FULL SYMPOSIUM PROPOSAL should include:
A Cover Sheet (sent as a separate word document) listing your name(s), proposal title, affiliation(s), contact details.

A Proposal (sent as a separate word document no more than 2 A4 pages) that presents, describes, imagines and contextualises your contribution to the symposium. Images, drawings and links are encouraged. Avoid revealing your identity in this document. Identify which of the day provocations your proposal links to best and how. List any equipment required. Unlike most conferences and symposiums where presenters are allocated 20 minutes and the mode of delivery defaults to Powerpoint projections in a darkened room, this event challenges us to inhabit time, space and body with a broader spectrum of possibilities. For example, one could occupy 5 minutes of each day at the same time, prompt a participatory exercise, or incite an oration or inscription in relation to the local architecture. The symposium programme will be crafted to support the variety of proposal responses.

Submit proposals to .(JavaScript must be enabled to view this email address) by end of day 1 July 2016 (NZ time).
Questions can be sent to .(JavaScript must be enabled to view this email address).
FAQ will be posted and updated on the website: http://www.performingwriting2017.com

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Wed 1 March 2017

Building Material: Practice

The 21st edition of Building Material seeks papers on the theme of practice in architecture

February 10 2017 - February 10 2017

Practice can be defined as a process of habitual iteration. The idea of the architect as ‘practitioner’ therefore captures aspects of the design of buildings not quite encapsulated in the notion of the architect as ‘professional’. Yet to practise architecture may or may not necessarily mean the production of buildings or even involve design. Many architects find other ways to engage with and alter the built environment. Amongst other factors, a cyclical economic climate often compels architects to be survivalist, innovative, flexible and robust in the ways that architecture is pursued, realised, paid for, practised. Simultaneously, there are other more positive reasons why practice has evolved historically and continues to do so today. As practice changes, more and more interest and reflection descends upon it.

Such considerations may include (but would by no means be limited to) issues around  practice as a form of research, professionalisation and specialisation, social and community architecture, the economies of architectural practice, scales of work in relation to scales of organisation, access to skills and knowledge, and the boundaries to instigating new methodologies.

Building Material 21 invites submissions that explore the range of architectural possibilities inherent within the word practice in Ireland and elsewhere. Submitted articles must not have been published, nor be under consideration for publication, either online or in print. Written submissions should be a maximum of 4000 words and should be analytical and critical rather than descriptive. While inviting submission of academic papers, it also seeks and encourages interesting essays that fall beyond the academic pale. Shorter articles are welcome, as are graphic works.

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Fri 10 February 2017

Theory’s History 196X-199X

Challenges in the historiography of architectural knowledge

Brussels

February 09 2017 - February 10 2017

Theory’s history, 196X – 199X
Challenges in the historiography of architectural knowledge

KU Leuven, Belgium

 

CALL FOR PAPERS – INTERNATIONAL CONFERENCE IN BRUSSELS
9th-10th of February, 2017.
Submission deadline: 15th of June, 2016

 

In recent international literature addressing the history of 20th century architectural theory, the year 1968 is indicated as a decisive moment, giving rise to a ‘new’ architectural theory. From that moment onwards, emphasis was no longer placed on the aesthetics of architecture, but on its critical potential. Yet, according to some scholars, this intensification of theory was short-lived. A presence of coexisting and even contradictory paradigms derived from very different epistemic domains (anthropology, philosophy, linguistics, social sciences, etc.) led to a setback of theory, resulting in an end-of-theory atmosphere in the 1990s.     
It is not a coincidence that the so called death of architectural theory concurred with the upsurge of anthologies on architectural theory that collect and classify referential texts. Instead of burying theory, these anthologies had an additional effect, namely to institutionalise it. In other words, they offered both closure to a past period and also defined the locus of a next period of theorisation, invoking a ‘historical turn’. At the same time architectural discourses, and especially architectural historiography, were engaging with new theoretical fields such as gender studies or postcolonial studies, giving rise to a continued production of theoretically informed books and articles.

The goal of this conference is to discuss the methodological challenges that come along with this historical gaze towards theory, by focusing on the concrete processes in which knowledge is involved. By screening the unspoken rules of engagement that the accounts of post-war architectural theory have agreed to and distributed, we want to point at dominant assumptions, biases and absences. While anthologies inevitably narrate history with rough meshes, we believe it is time to search for those versions of theory formation that have slipped through these nets of historiography, in order to question the nature of theory and the challenges it poses to historians. How do you do historical research on something as intangible as theory, or in a broadened sense, the knowledge of architecture?

 

Practical information

Please visit our website for up to date information and for the full CFP: architecture.kuleuven.be/theoryshistory

This two-day conference will be held in Brussels on Thursday and Friday 9th - 10th February 2017. The conference aims to bring together both young and established scholars from every discipline that is able to engage with the topics outlined above. Confirmed keynotes are Joan Ockman, Ákos Moravánszky and Łukasz Stanek.

We’re happy to receive abstracts of up to 300 words until the 15th of June, 2016. Information on how to submit is provided on our website. Abstracts will be anonymously reviewed by an international scientific committee. Authors will be notified of acceptance on the 15th of July 2016. In order to provide a solid conference, we expect full papers one month in advance of the conference, i.e. 1st of January, 2017.

Please note that there will be a conference fee for participants of maximum €150 and a reduced price for students.

For any other questions, please contact .(JavaScript must be enabled to view this email address)

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Thu 9 February 2017

AIARG 2017 Conference

Call for Conference Papers

Waterford Institute of Technology

January 27 2017 - January 28 2017

Proposals for conference papers are now sought for the 6th annual AIARG conference to be held in Waterford on 27- 28 January 2017. Paper must be submitted under the following thematic sessions.

  • Architectural Education in the Age of Globalization: when East meets West.
  • Centenary Celebration of William H. Whyte, Sage of the City (1917-1999).
  • Concealed or Exposed? Ireland and Concrete.
  • Critical Spatial Practice and Sensibility Formation.
  • Design versus Conservation and the Value of Time. What is the meaning of place?
  • Domesticity at the Crossroads: Irish Housing Design 1955-1980.
  • Evaluating Landscapes.
  • Interim Review- on Architectural Education 2.
  • Intertidal Infrastructural.
  • Reproduction: Architectural Education. Ideology and Capitalist Relations of Production.
  • Streets on the ground: Rediscovering planned and unplanned city streets.
  • The Minor Woods of Ireland.
  • “There are 60 degrees, so why stick to one?” (Zaha Hadid, Feb 2003), Considering the complete life and legacy of Zaha Hadid.
  • Transculturation. Merging and Converging of Architectural Idioms, Energies and Ideals.

Please forward your abstract by email (300 words maximum) to session chair by 24 October. Full papers (2,000-2,500 words) expected in December. Please include with your abstract a 100 word biography and contact details. 

For more information or queries visit www.aiarg2017conference.com or email: .(JavaScript must be enabled to view this email address).

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Fri 27 January 2017

2 permanent lectureships in architecture: University of Manchester

Closing Date 19th December 2016

University of Manchester

December 19 2016 - December 19 2016

We seek to appoint two Lecturers in Architecture to contribute to the development of the Manchester Architecture Research Group (MARg), the Manchester School of Architecture (MSA) and the School of Environment, Education and Development (SEED) (see:  http://www.seed.manchester.ac.uk/subjects/architecture)  

The lecturer will also contribute to the newly formed Manchester Urban Institute (MUI), a cross-disciplinary research institute launching in 2017.

Please note that the two posts are subtly different:

One is tenable from January 2017 and has an open specialism.
https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=12546


The second is tenable from July 2017 and has a specific specialism on aging, user centred design, and daylighting design.
https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=12539

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Mon 19 December 2016

London Book Launch: Architecture and the Unconscious

Room G01 Central House, Upper Woburn Place, The Bartlett, UCL

December 09 2016

An evening of discussion, 5-8:00pm, exploring the discourses between Architecture and Psychoanalysis, chaired by Lorens Holm (Dundee) and Jane Rendell (UCL) including contributors to the book and our guests:

David Bell, Past President British Psychoanalytic Society; and Consultant Psychiatrist  The Tavistock Clinic.

Lesley Caldwell, Psychoanalyst BPA, and Honorary Professor UCL Psychoanalysis Unit

Patrick Lynch, Lynch Architects London, and University of Liverpool

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Fri 9 December 2016

New Publications

This Thing Called Theory

Teresa Stoppani, Giorgio Ponzo, George Themistokleous

In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how architecture is inextricably connected to other social and theoretical practices.

The sections move gradually from the specifics of architectural thought – its history, theory, and criticism – and their ongoing relation with philosophy, to the critical positions formulated through architecture’s specific forms of expression, and onto more recent forms of architecture’s engagement and self-definition. The book’s thematic sessions are concluded by and interspersed with a series of shorter critical position texts, which, together, propose a new vision of the contemporary role of theory in architecture. What emerges, overall, is a critical and productive role for theory in architecture today: theory as a proposition, theory as task and as a ‘risk’ of architecture.

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Wed 30 November 2016

New Courses

Architecture MA

University of Westminster, London

Course web site

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Thu 15 October 2015

CHASE PhD scholarships: Kent School of Architecture

University of Kent, Canterbury, UK

Course web site

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Mon 24 October 2016

MA Architectural History, The Bartlett School of Architecture, UCL

The Bartlett School of Architecture, UCL, London

Course web site

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Wed 9 January 2013

MA in Architectural Design

School of Architecture, University of Sheffield

Course web site

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Wed 9 January 2013

MA in Urban Design

School of Architecture, The University of Sheffield

Course web site

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Wed 9 January 2013

MA Spatial Practices: Art, Architecture, and Performance

University College for the Creative Arts

Course web site

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Thu 24 December 2009

MSc in Architectural History and Theory, University of Edinburgh

Edinburgh School of Architecture and Landscape Architecture (ESALA), ECA, University of Edinburgh

Course web site

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Thu 14 May 2015