AHRA Newsletter:
August-September 2014

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To promote other items of interest (new books, courses, other research resources etc) please send details by email to Stephen Walker at:

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The next newsletter will be issued in October 2014

 

New Events

The Art History of Architectural History

AAH2015 41st Annual Conference & Bookfair

Sainsbury Institute for Art, UEA, Norwich, UK

April 09 2015 - April 11 2015

Art history and architectural history are sister disciplines… or are they? How many art history departments regard architectural history as a core component of their provision? What might art history students miss if architectural history were not part of their curricula? Perhaps art objects and architectural objects are so radically different their study cannot be shared. Or perhaps there are modes of enquiry that can be developed to mutual benefit. This session reviews the art history/architectural history relationship in several ways. One way is to excavate those moments when art and architectural history were tightly bound together: in the very formation of art history as a discipline, for example, when both art and architecture were natural objects of study. Other ways might be: investigations of the parallel developments of formalism in art and architectural history; of architectural history’s relation to the ‘new art history’; of the ways in which architectural history might adopt recent developments in object studies, global art history, and art writing. Academics dealing with contemporary architecture find themselves wrestling with debates that in other disciplines may be more abstract or indirect: How does money or power represent itself in visual form? How does the general public (whoever they may be) understand form? How does government use aesthetics to communicate? All of these things are, and always have been, live in architecture. Perhaps this might be part of a case for making architectural history more central to art history. If so, what implications would it have for our curricula and our pedagogy?

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Thu 9 April 2015

AALTO BEYOND FINLAND ARCHITECTURE AND DESIGN

2nd Alvar Aalto Researchers Network Seminar: Call for papers

Rovaniemi, Finland 16-18 February 2015

February 16 2015 - February 18 2015

The 2nd Alvar Aalto Researchers Network Seminar, “Aalto beyond Finland. Architecture and Design” aims to create a network of researchers interested in the work of the Finnish architect Alvar Aalto. The meeting in Rovaniemi, in February 2015, will be an opportunity to present up-to-date research and provide a significant meeting point for those fascinated by Aalto’s buildings and projects, in a relaxed and collegial atmosphere.

Aalto’s work has had an exceptional impact beyond Finland since the opening of his office in Turku in 1927. Before World War II, his furniture was exhibited in strategic venues in Europe and America, from which Aalto established a solid network of professional contacts. During the post-war period, he took on many assignments and received great recognition in various foreign countries. His buildings, scattered around the world, as well as his unrealised projects, contributed to spreading Aalto’s design method in different architectural communities, thereby proving its validity outside Finland. Even countries in which Aalto did not design any projects or construct any buildings, such as Japan, Australia, New Zealand, Norway, Spain, and Portugal, were influenced by his work. Although recent scholarly studies have contributed to an exploration of Aalto’s work abroad and its impact in the international context, they are fragmented, dwelling on national questions, without a holistic view. The 2nd Alvar Aalto Researchers Network Seminar “Aalto beyond Finland. Architecture and Design” strives for a comprehensive survey of the impact of Aalto’s architectural and design works abroad, in order to highlight those thematic communalities and connections among different international experiences.

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Mon 16 February 2015

annual conference 2015, all-ireland architecture research group

Dublin, Ireland

January 30 2015 - January 31 2015

ALL-IRELAND ARCHITECTURE RESEARCH GROUP

                                              a-iarg

 

Call for Sessions Fourth Annual Meeting UCD Dublin January 29-30, 2015

 

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Fri 30 January 2015

Industries of Architecture: Relations, Process, Production

11th International AHRA Conference

School of Architecture, Planning and Landscape, Newcastle University, UK, and various venues around Newcastle

November 13 2014 - November 15 2014

This two and a half day conference invites architectural theorists, historians, designers and others to explore the industrial, technical and socio-economic contexts in which building is constituted that are all too often sidelined within the architectural humanities. Industries of Architecture will also host a number of open-structured debate-oriented workshops with the aim of bringing into the discussion those working in building, technology, law, practice management, construction or in industry together with researchers in the architectural humanities. In addition, the opening night features public screenings of a series of artists’ films that explore the production of architecture, including the work of Harun Farocki and Allan Sekula.

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Thu 13 November 2014

Building with Light: the Legacy of Robert Elwall

An International Symposium on Architectural Photography

London

November 13 2014 - November 14 2014

The Royal Institute of British Architects announces an international symposium on architectural photography in conjunction with the first major retrospective of the British architectural photographer Edwin Smith (1912-1971), whose prolific work helped redefine the notion of post WW II Britishness.

The symposium will honour the legacy of Robert Elwall (1953-2012), an acclaimed British historian of architectural photography and curator, since 1976, of the RIBA's Photographs Collection that now bears his name.  With some million and a half architectural images, the Robert Elwall Photographs Collection is one of the most extensive resources for the study of the influence of photography on architecture and the creative process.

The symposium will be held 13 -14 November 2014 in London.


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Thu 13 November 2014

“Composite Cities”

7th edition of EURAU

Faculty of Architecture of Istanbul Technical University

November 12 2014 - November 15 2014

The theme refers to the compositeness of our cities occurring in various forms and various scales; ranging from ever increasing complexity of one-through new urban emergences adding up to the existing urban environment and continuously redefining our urban experience- to tranquility of another-still holding different urban conditions stitching together to an enriched urban experience. Thus the conference aims to enable a medium to discuss the complex relationship between urban form and urban experience through the composite character of our cities explained in four topics-possible states of composite being: hybrid city, morphed city, fragmented city  and mutated city. The conference is expected to evolve around the question of “how?”s of architectural practice for the composite city. Hence, the essentials of architectural realities- scale, order, space, place, program, content, identity …- will define the backbone of the discussions.

The abstract submission deadline is extended to April 30, 2014

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Wed 12 November 2014

CFP: PLAYTHINGS IN EARLY MODERNITY: PARTY GAMES, WORD GAMES, MIND GAMES (edited collection)

September 15 2014

Contributions are sought for an interdisciplinary collection of essays to be edited by Allison Levy and published by Ashgate Publishing Co. in the new book series, Cultures of Play, 1300-1700 (see http://www.ashgate.com/default.aspx?page=5166; series editor Bret Rothstein). Dedicated to early modern playfulness, this series serves two purposes. First, it recounts the history of wit, humor, and games, from jokes and sermons, for instance, to backgammon and blind man’s buff. Second, in addressing its topic – ludic culture – broadly, Cultures of Play also provides a forum for reconceptualizing the play elements of early modern economic, political, religious, and social life.

Within this framework, PLAYTHINGS IN EARLY MODERNITY: PARTY GAMES, WORD GAMES, MIND GAMES emphasizes the rules of the game(s) as well as the breaking of those rules: playmates and game changers, teammates and tricksters, matchmakers and deal breakers, gamblers and grifters, scripts and ventriloquism, charades and masquerades, game pieces and pawns. Thus, a ‘plaything’ is understood as both an object and a person, and play, in early modern Europe (1300-1700), is treated not merely as a pastime, a leisurely pursuit, but also as a pivotal part of daily life, a strategic psychosocial endeavor: Why do we play games – with and upon each other as well as ourselves? Who are the winners, and who are the losers? Desirable essays will also consider the spaces of play: from the stage to the street, from the pulpit to the piazza, from the bedroom to the brothel: What happens when players go ‘out of bounds,’ or when games go ‘too far’? We seek new and innovative scholarship at the nexus of material culture/the study of objects, performance studies, and game theory. We welcome proposals from a wide range of disciplines, including gender studies, childhood studies, history, languages and literature, theater history, religious studies, the history and philosophy of science, philosophy, psychology, and the history of art and visual culture.

PLAYTHINGS IN EARLY MODERNITY: PARTY GAMES, WORD GAMES, MIND GAMES will be an illustrated volume, with individual contributors responsible for any permission and/or art acquisition fees. Final essays, of approximately 8,000 words (incl. notes), and all accompanying b&w illustrations/permissions will be due no later than January 15, 2015. For consideration, please send an abstract (max. 500 words), a preliminary list of illustrations (if applicable), and a CV to Allison Levy (.(JavaScript must be enabled to view this email address) or .(JavaScript must be enabled to view this email address)) by September 15, 2014. Notifications will be emailed by the end of September.

 

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Mon 15 September 2014

Architectural Design Research Symposium,

Venice

August 29 2014 - August 30 2014

This symposium provides a forum to reflect on the emergence of research through design in the context of Architectural Education and Critical Practice. As articulated in recent publications and on the evidence of postgraduate activity around the globe, design as the primary vehicle for research innovation has entered a confident and mature stage.

What are the themes that emerge from this body of work? What tactics have evolved through conceiving design as the core research method? What are the "unique national features and mentalities that continue to exist and flourish"? (Koolhaas, 2013)

The 2014 Venice Biennale and its theme of Fundamentals, provides a stimulating space in which to address these questions. This event is associated with the New Zealand exhibition at the 2014 Venice Architecture Biennale. The symposium will be held at the venue of the NZ exhibition, the Palazzo Pisani Santa Marina, Calle de le Erbe, Cannaregio.

Interested participants are invited to submit a 1000 word presentation.

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Fri 29 August 2014

New Publications

Architecture & Culture

Architecture & Culture:  Aims and Scope

Architecture and Culture, the international, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed.

Architecture and Culture publishes explorations that are rigorously speculative, purposively imaginative, visually and verbally stimulating. From historians of culture and architecture, from geographers, anthropologists and other social scientists, from architects and urban designers, from film-makers, animators and other artists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both words and images, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.

 

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Wed 9 January 2013

Architecture and the Paradox of Dissidence

Edited by Ines Weizman

Architecture and the Paradox of Dissidence maps out and expands upon the methodologies of architectural action and reinvigorates the concept of dissent within the architectural field. It expands the notion of dissidence to other similar practices and strategies of resistance, in a variety of historical and geographical contexts.The book also discusses how the gestures and techniques of past struggles, as well as ‘dilemmas’ of working in politically suppressive regimes, can help to inform those of today.

This collection of essays from expert scholars demonstrates the multiple responses to this subject, the potential and dangers of dissidence, and thus constructs a robust lexicon of concepts that will point to possible ways forward for politically and theoretically committed architects and practitioners.

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Mon 25 November 2013