Past Events

This page provides links and information about relevant past events.

Buildings in Society International III - An interdisciplinary Approach.

Swedish History Museum, Stockholm

May 11 2017 - May 14 2017

Event web site

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Building studies fall too often into the disciplinary gaps between architectural history, archaeology and social anthropology. The Buildings in Society International conference is an attempt bridge those gaps, to draw from all these approaches and examine how people have created buildings and responded to them. The forthcoming conference would like to examine how people have been creating and using buildings, how they have responded to them, and how the buildings have been perceived. It will consider a diversity of built constructions - including dwellings and public buildings, sheds and manor houses, secular and sacral structures.

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GSTF ACE 2017

Singapore

May 08 2017 - May 09 2017

Event web site

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Advances in Architecture and Civil Engineering are the order of the day with the rapid industrialization and urbanization seen in developed and developing nations. Innovative design and construction practices are challenging tasks to the architects and engineers to meet the ever growing demands of society. The conference is the premiere forum for the presentation of new advances and research results in the fields of Architecture and Civil Engineering. The conference will bring together leading researchers, architects, engineers and scientists in this domain of interest from around the world. 

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The Politics of Environments: Architectures, Natures and Data

Tallinn, Estonia

April 20 2017 - July 23 2016

Event web site

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Two themes stand out prominently in discussions, projects and strategies that are at the forefront of contemporary urbanisation. It is, on one hand, the question of ecology, where the city and architecture are reconceptualised in "green" terms such as sustainability, resilience, metabolic optimisation and energy efficiency. On the other hand is the cybernetic question, where the futures of architecture and urbanisation are staked upon the pervasive use of digital communication, interactive technologies, ubiquitous computing, and the "big data". Moreover, these two questions have become increasingly intertwined as two facets of a single environmental question: while real-time adjustments, behaviour optimisation and "smart" solutions are central to urban environmental agenda, the omnipresent network of perpetually interacting digital objects constitutes itself a qualitatively new environment within which urban citizens are enfolded. But as digital networks become our "second nature," we also hark back to the models derived from the "first nature".

With the growing pressure on architects, urbanists and planners to deliver ecological and techno-informational solutions, with (self-)monitoring of citizens "behaviour", optimisation of the buildings "performance", and smoothing of urban "flows", and with the respective substitution of democratic politics by automated governance models, it is ever more important to interrogate the historical, theoretical, methodological and epistemological assumptions beneath the above set of processes that can be described, following Michel Foucault, as environmental governmentality. These questions will be explored under three thematic tracks.

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Performing, Writing Symposium March 2017

Wellington, New Zealand

March 09 2017 - March 19 2017

Event web site

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Performing, Writing: a symposium in four turns is an international interdisciplinary research-focussed event occurring in March 2017, Wellington NZ run in association with Performance Arcade.

This event imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. 

What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The proposal deadline has recently been extended to 15 July 2016 and the event dates have changed since the first posting in April this year.

See the website for details: www.performingwriting.com

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

 

 

 

 

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Performing, Writing 2017

Wellington, New Zealand

March 04 2017 - March 09 2017

Event web site

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There is something nearly indescribable yet palpable in the transfer between embodied works of art and the textual inscriptions that imagine, forecast, relate, explain, document orco-exist alongside them. 

This parallel and often intersecting dialogical relationship bears out the ways that practices such as live art, performance, theatre, architecture, spatial design, dance and music depend, expand upon, repeat and exacerbate practices such as script and score-writing poetry, literary fiction, art criticism, ficto-criticism, curatorial writing, site writing  and writing associated with creative practice-led research.

 

This synaptic condition is what John Hall calls out in On Performance Writing, with pedagogical sketches (2013) as gestures of actualisation, performing thru; writing as itself performance, the very literal taking place over time, slowly, meticulously, and performance as an event that is more than the writing where the writing’s concern is with its relation to the full context of the performance. (61) 

 

Here we find shared attentiveness towards the shaping of words, breathe, body,  object, time and space, to effectively and affectively curate subjective encounters.

 

Performing, Writing: A symposium in four turns imagines how a text can be conceptualised, written, presented and figured 

with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, 

dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of 

an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-

ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a 

new culture of criticality develop in between acts of “performing through”?

 

Proposals due 1 July 2016. See the website for details: www.performingwriting.com

 

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

Mobile +6421 842616

Skype user name buildingartpractice

www.julieannapreston.space

 

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Theory’s History 196X-199X

Challenges in the historiography of architectural knowledge

Brussels

February 09 2017 - February 10 2017

Event web site

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Theory’s history, 196X – 199X
Challenges in the historiography of architectural knowledge

KU Leuven, Belgium

 

CALL FOR PAPERS – INTERNATIONAL CONFERENCE IN BRUSSELS
9th-10th of February, 2017.
Submission deadline: 15th of June, 2016

 

In recent international literature addressing the history of 20th century architectural theory, the year 1968 is indicated as a decisive moment, giving rise to a ‘new’ architectural theory. From that moment onwards, emphasis was no longer placed on the aesthetics of architecture, but on its critical potential. Yet, according to some scholars, this intensification of theory was short-lived. A presence of coexisting and even contradictory paradigms derived from very different epistemic domains (anthropology, philosophy, linguistics, social sciences, etc.) led to a setback of theory, resulting in an end-of-theory atmosphere in the 1990s.     
It is not a coincidence that the so called death of architectural theory concurred with the upsurge of anthologies on architectural theory that collect and classify referential texts. Instead of burying theory, these anthologies had an additional effect, namely to institutionalise it. In other words, they offered both closure to a past period and also defined the locus of a next period of theorisation, invoking a ‘historical turn’. At the same time architectural discourses, and especially architectural historiography, were engaging with new theoretical fields such as gender studies or postcolonial studies, giving rise to a continued production of theoretically informed books and articles.

The goal of this conference is to discuss the methodological challenges that come along with this historical gaze towards theory, by focusing on the concrete processes in which knowledge is involved. By screening the unspoken rules of engagement that the accounts of post-war architectural theory have agreed to and distributed, we want to point at dominant assumptions, biases and absences. While anthologies inevitably narrate history with rough meshes, we believe it is time to search for those versions of theory formation that have slipped through these nets of historiography, in order to question the nature of theory and the challenges it poses to historians. How do you do historical research on something as intangible as theory, or in a broadened sense, the knowledge of architecture?

 

Practical information

Please visit our website for up to date information and for the full CFP: architecture.kuleuven.be/theoryshistory

This two-day conference will be held in Brussels on Thursday and Friday 9th - 10th February 2017. The conference aims to bring together both young and established scholars from every discipline that is able to engage with the topics outlined above. Confirmed keynotes are Joan Ockman, Ákos Moravánszky and Ɓukasz Stanek.

We’re happy to receive abstracts of up to 300 words until the 15th of June, 2016. Information on how to submit is provided on our website. Abstracts will be anonymously reviewed by an international scientific committee. Authors will be notified of acceptance on the 15th of July 2016. In order to provide a solid conference, we expect full papers one month in advance of the conference, i.e. 1st of January, 2017.

Please note that there will be a conference fee for participants of maximum €150 and a reduced price for students.

For any other questions, please contact .(JavaScript must be enabled to view this email address)

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