Past Events

This page provides links and information about relevant past events.

Territories of Faith

Religion, Urban Planning and Demographic Change in Post-War Europe, 1945 – 1975

Leuven, Belgium

July 03 2017 - July 04 2017

Event web site

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The research group Architectural Cultures of the Recent Past (ARP) of KU Leuven and KADOC, the Documentation and Research Centre on Religion, Culture and Society of KU Leuven, are organizing an international workshop on religion, urban planning and demographic change in post-war Europe as a prelude to an edited volume on this topic, to be published by an international academic press.

 

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CFP: JID special issue: Interior design creative scholarship

Registration of interest: 1 July 2016

Journal of Interior Design

July 01 2017

Event web site

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A special journal issue dedicated to creative scholarship in interior design and its allied disciplines and practices to be published early 2018.

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Mapping in Arts and Humanities Research

King's College London / University College London

June 14 2017 - June 14 2017

Mapping in Arts and Humanities Research

Two workshops and a symposium, co-hosted by King’s College London and University College London, and funded by the London Arts and Humanities Partnership (LAHP)

 June 14th, 21st, and 27th, 2017

 Theories and practices of mapping have been increasingly prominent and influential in arts and humanities research in the past twenty years. The histories of art, architecture, film, literature, and other cultural forms have been retold from geographical, spatial perspectives, across disciplinary lines, by Giuliana Bruno, Denis Cosgrove, Tom Conley, Thomas Da Costa Kauffmann, Rob Kitchin, Franco Moretti, Ricardo Padron, and Todd Presner, to name just a few. Drawing on rich influences in geography, sociology, architecture and urban planning, these scholars and others have used maps to rethink art, culture, and the humanities, or vice versa. As such, mapping has become one of the key tools by which arts and humanities researchers have collaborated and innovated, and by which they have interacted with the social sciences.

Many arts and humanities PhD students today seek to incorporate maps and mapping in their research, and yet provision of doctoral training specifically in this cross-disciplinary area is rare. This is despite the fact that digital technologies have made mapping increasingly feasible and sophisticated, in technical terms, even for those without specialist cartographic training. Mapping has also become increasingly informative and rewarding methodologically – e.g. what Todd Presner calls “thick mapping” - as a complement to, or, for some, even a replacement for, certain, more traditional aspects of research.

 In June 2017, King’s College London and University College London will co-host two half-day workshops and a one-day symposium with the aim of examining the use of maps in arts and humanities research. The symposium will be open to all; the workshops will be aimed primarily at current PhD students, with a limited number of places for postdoctoral researchers and others.

 

The Workshops

The first events will be two research methods workshops, one hosted by Dr Mark Shiel at King’s on June 14th and the other hosted by Dr Roland-François Lack at UCL on June 21st. In these, Shiel and Lack will present their own research with maps, but interactively, alongside students and other researchers who will make brief presentations on their work with maps or discuss maps (digital or analogue) they have found useful in their research. The workshops will be practical, interactive and computer-based, relying on demonstrations and small group work, with each event open to a maximum of 40 people. Hence, the workshops will provide an opportunity to present, examine, and discuss a wide variety of maps in detail, benefiting from the sharing of case studies and interpretations.

Eligibility for the workshops: These events will be aimed primarily at current PhD students in any arts and humanities or social science discipline, from across the UK. A proportion of places will be ring-fenced for students from institutions associated with the LAHP (KCL, UCL, School of Advanced Study, London School of Economics, Queen Mary University of London), but all others are also warmly encouraged to attend. To attend the workshops, it is necessary to register in advance. It is also necessary to sign up to attend both workshops (rather than one or the other). No special expertise in mapping techniques or map analysis will be required; PhD students at any stage of their studies may reserve a place, whether they have a lot of experience with maps or very little. To register, please email .(JavaScript must be enabled to view this email address)

 

The Symposium

The third event will be a one-day symposium on theories and methods of “Mapping in Arts and Humanities Research”, to be held at King’s on June 27th.

Providing an opportunity to reflect on the strengths, limitations, and methodological challenges and problems posed by maps and mapping in arts and humanities research, this symposium will feature eight twenty-minute papers by PhD student and postdoctoral speakers and one invited keynote speaker. It will be open to a wider audience than the workshops, i.e. the whole academic community and others working in relevant professional fields.

We have great pleasure in announcing that the keynote speaker will be Professor Shannon Mattern of the New School for Social Research, in New York. Mattern is the author of The New Downtown Library: Designing with Communities (2017) and Deep Mapping the Media City (2015), both published by University of Minnesota Press, as well as numerous journal articles and book chapters. ( http://www.wordsinspace.net/shannon/ )

 

Call for papers for the symposium

 We hereby invite PhD students or postdoctoral scholars in relevant fields to submit proposals for twenty-minute papers on subjects or issues relating to the rationale laid out above. These might be considerations of methodological issues, technical challenges, interdisciplinarity, or case studies of a particular map or maps either as representations or artefacts in their own right or for the light they shed on some other object of research. Proposals should include an abstract of about 500 words, an indicative bibliography of four items, and a short bio which should include a brief indication of the topic of your PhD or other research project. Please also make sure to indicate your institutional affiliation, if you have one.

To submit a proposal, please email .(JavaScript must be enabled to view this email address)

Proposals must be received no later than Friday, April 14th, 2017.

 

About the organisers:

Mark Shiel is Reader in Film Studies and Urbanism in the Department of Film Studies at King’s College London. He has published widely on the subject of cinema and cities, most recently his monograph Hollywood Cinema and the Real Los Angeles (Reaktion Books/University of Chicago Press, 2012).

Roland-François Lack is a Senior Lecturer in the French Department at UCL, where he teaches nineteenth-century literature and twentieth-century film. He is the author of numerous works on Lautréamont, Kristeva, Tel Quel, and the nouvelle vague, and he is the author and curator of the celebrated website cinetourist.net

The organizers grateful acknowledge the support of the London Arts and Humanities Partnership, which is in turn funded by the Arts and Humanities Research Council.

These events will also form part of the first year’s activities of the new London Urban Media Research Network, a collaboration of KCL, UCL, the LSE, and Birkbeck College aimed at coordinating and increasing research activity on the interaction of cities and media, broadly defined.

 

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Mapping in Arts and Humanities Research - Two Workshops and a Symposium - June 14th, 21st, and 27th,

King's College London and University College London

June 14 2017 - June 27 2017

Event web site

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Rationale

Theories and practices of mapping have been increasingly prominent and influential in arts and humanities research in the past twenty years. The histories of art, architecture, film, literature, and other cultural forms have been retold from geographical, spatial perspectives, across disciplinary lines, by Giuliana Bruno, Denis Cosgrove, Tom Conley, Thomas Da Costa Kauffmann, Rob Kitchin, Franco Moretti, Ricardo Padron, and Todd Presner, to name just a few. Drawing on rich influences in geography, sociology, architecture and urban planning, these scholars and others have used maps to rethink art, culture, and the humanities, or vice versa. As such, mapping has become one of the key tools by which arts and humanities researchers have collaborated and innovated, and by which they have interacted with the social sciences.

Many arts and humanities researchers today seek to incorporate maps and mapping in their research, and yet provision of training and opportunities for critical reflection are rare in this specific cross-disciplinary area. This is despite the fact that digital technologies have made mapping increasingly feasible and sophisticated, in technical terms, even for those without specialist cartographic training. Mapping has also become increasingly informative and rewarding methodologically – e.g. what Todd Presner calls “thick mapping” - as a complement to, or, for some, even a replacement for, certain, more traditional aspects of research.

Accordingly, in June 2017, KCL and UCL will jointly host a series of workshops and a symposium in order to provide opportunities for experimentation with, and reflection on, maps, mapping, their usefulness and value, and the complex and challenging issues they raise.

Generously suppored by the London Arts and Humanities Partnership.

 

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2017 Interstices Under Construction Symposium: Pattern/Surface

Extended deadline for abstract submissions

The University of Auckland and Auckland University of Technology, New Zealand

June 02 2017 - June 04 2017

Event web site

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EXTENDED DEADLINE for submissions for “Interstices Under Construction Symposium: Pattern / Surface - a pursuit of material narratives” Auckland, 2nd - 4th June 2017. 500-word abstracts will now be accepted up to Tuesday 21st March, midnight NZST. Send to .(JavaScript must be enabled to view this email address) Abstracts submitted by this date will receive a decision by 15 April. Details about registration (fees, concessions, early bird registration) will be posted on the website by 1st April and registrations open on 15th April.

(Those who have already submitted abstracts, thank you — decisions will be sent out for these in late March.)

Please forward to colleagues, friends, and students.

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2017 Interstices 19 (Under Construction) symposium

Surface – Pattern: a pursuit of material narratives.

The University of Auckland and Auckland University of Technology, New Zealand

June 02 2017 - June 04 2017

Event web site

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2017 Interstices 19 (Under Construction) symposium

Surface – Pattern: a pursuit of material narratives.

The University of Auckland and Auckland University of Technology, New Zealand

 

Keynote Speaker: Associate Professor Spyros Papapetros 

School of Architecture, Princeton University

 

Surface and ornament have been extensively reviewed, admonished, discarded and pursued. More recently there has been a renewed interest in the writing of Aby Warburg and Alois Riegl, while numerous studies have addressed these issues relative to Semper, Adolf Loos, Hermann Muthesius, and Le Corbusier. They have been made prominent by issues of animation (see, for example, Papapetros 2012, Payne 2013, van Eck 2014) and digitation (see for example Spuybroek 2008 and Schumacher 2009).

Incrustations, protuberances, textured expressions, smoothed surfaces, surfaces enlivened as screens, are they ornament or cladding? The 2017 Interstices Under Construction Symposium, “Surface – Pattern” pursues the tension between ornament, adornment, object enlivenment, cladding, surface and pattern, and an exploration into the strange animations inherent in surface-pattern continua.

Thought in one direction, smooth surface tends towards speed and a friction-less gloss; in another, pattern stirs surfaces inciting decelerating, contemplation, and even deviation. Etymologically, ‘surface’ accords with the revealing of an upper or outward layer, but it also points to things that receive a surface through polishing or finishing. Pattern suggests the imposition of a plan or design that ultimately models or leads back to exemplars and the impact of patrons. Conjunctures of surface-patterns thus encompass rich and complex narrative effects.

This call for papers invites considerations, at a range of scales, of surface-pattern complexes like territory and landscapes, built assemblages and ‘cladding’, interior surfaces, décor and furniture, sculpture or objects of the decorative arts.

The symposium is motivated by the renewed fascination with the architectural surface and the expressive effects it mobilises – effects that both eschew and uneasily dabble in the decorative. Material mediation has become a means for experimentation, a way of teasing out smooth geometries, tessellated patterns, iconic figures and textures, which may all also perform technical functions, like joining or harmoniously accommodating incremental and differential movement. If, following Paul Virilio, the built, like the social, is inseparable from a politics of speed (in which surfaces, ways, and conduits at every scale are ‘policed’ in order to arrest impediments to an accelerating commerce of motion and passage), we might wonder what role patterning plays today.

As Giles Deleuze and Felix Guattari have argued, periodic repetition is key to encoding a milieu, founding territoriality and place-specificity. However, it is also a rhythmic vehicle running on difference, a metrical, staggered and reversible time of variable intensities, in which beginning and end are confused (Bogue 2003: 28). Performative and plastic arts in the Pacific and elsewhere use repetition not only as aesthetic device but also “to symbolise and effect relations of mana” (Tomlinson & Tengan 2015: 17), both channelling affective force and representing memory and knowledge to those who understand (Clark 2006: 12; Nepia 2013: 133, 197).

Pattern and rhythm run free of and extend beyond planar fixity, implicating faces and surfaces that may change, reverse or combine, they alter perception and architectural space. Surfaces, beyond their seconding within building hierarchies, open onto movement and shifting states (Taylor 2009: 47). Architecture, then, can be rethought in relation to an outside that is not kept out or apart, in terms of surfaces, flatness, dynamism and movement rather than stasis (Grosz 1995: 135). Patterned and patterning, surfaces provide a saturated environment rich in repetition, difference and an atmosphere by which architecture is more than a machinic structure. As the distinctions between structures and ornaments, function, form, façade and decor are reconceptualised, surfaces are no longer decorative elements but entities in themselves. Surface “turns into architecture [as the] surface becomes weighted, deep, differentiated, tartan, alternating, camouflaged, tonal, gradated, textured, branded, serial” (Bruno 2014: 93).

It is with this sense of the spatial effects potentiated by surface-pattern that we invite you to submit abstracts for the forthcoming Interstices Under Construction Symposium.

Please send a 500-word abstract and a short biographical statement of 100 words to Susan Hedges (.(JavaScript must be enabled to view this email address)) by 28th February 2017. Abstracts will be vetted through blind peer review and, if accepted, published on the Interstices website (http://interstices.ac.nz/news-events/). Notifications will be sent out by March 2017. The symposium will be followed by a call for papers for Issue 19 of Interstices: A Journal of Architecture and Related Arts on the same topic in June 2017.

 

Convenors: Andrew Douglas, Tina Engles—Schwarzpaul, Susan Hedges,

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