Upcoming Events

This page provides links and information about forthcoming events including those organised by AHRA.

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Crossing Borders: Negotiation, Provocation, and Transgression

Graduate Conference: Call for Papers

Birkbeck, University of London

May 05 2017 - May 06 2017

Across the globe, borders are once again being erected, entrenched, and enlarged in order to contain, as well as to subject to the perpetual surveillance apparatus, people considered threats to the integrity of the national and supra-national state. From Calais to Lesbos, the camp has returned with a vengeance in Europe, supported by dubious claims for security. The spectre of the Jihadist and economic migrant haunts the political imaginary of the ‘advanced’ nations of Western Europe, who now spare no mercy for those displaced by civil war, environmental disaster, or material immiseration. Areas of conflict are increasingly being captured by drones, which, crucial for security, are profoundly redefining the borders between state, civil society, and privacy. Yet the very instantiation of the border speaks to and raises the possibility of its being breached, of forms of traversal, of lines of flight. This could be the contested borderland, a zone of indiscernibility where state violence regulates the movement of capital and labour, as in the case of the Mexico-US border and the region of Kashmir. It could also be the borderless world of ubiquitous data collection, which, paradoxically is recorded and stored in obscurely located and highly centralised data centres. Or, the faltering border between the conscious and the unconscious, whereby libidinal drives perpetually upset any stable sense of the sovereign self. Finally, ‘crossing borders’ poses a temporal question, directed to conceptions of historical change, the unpredictable instant of revolution which in shattering the known retroactively constitutes a border.
 
This conference is a call to intellectual arms, then, a provocation to think geographical, political, bodily, technological, and environment borders. What constitutes a border, how are they stabilised, and how can they be crossed, negotiated or transgressed? How are borders enacted, defined and re-defined by surveillance, technology, regulations and resistance? Are borders necessarily the logic of a colonial structure of thought, predicated on capture, division, and domination? How else might difference be thought and engaged? What is the discourse, language, imagery of the border? How are human bodies reciprocally shaped by the social environment? What model of the psyche can help us understand the rich diversity of socio-political mechanisms? How can we cross the border of rationality in order to explore and release the unconscious factors in our sense-making? And, crucially, how can we as academics cross institutional and disciplinary borders? We welcome submissions from across the Humanities and Social Sciences, and especially encourage contributions from artists and activists.

Proposals are invited for twenty minute papers and panels of three papers. Abstracts (300 words) should be submitted to .(JavaScript must be enabled to view this email address) by 7 February 2017. Please also include a short bio (no more than 150 words), contact details, and institutional affiliation. Accepted proposals will be notified by 28 February 2017.  

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International Conference on ‘Researching with and for children: Place, pedagogy and play

Deadline for submission of abstract : 28 February 2017

University of Edinburgh: Edinburgh College of Art

May 08 2017 - May 09 2017

Event web site

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With the aim of  bringing researchers and practitioners working with and for children within the UK and beyond on the same platform and widening participation, we are extending the deadline for submission of abstracts to the conference 'Researching with and for children: Place, pedagogy and play' to 28 February 2017.

We would also like to invite proposals for posters and art works, if you are a practise-based researcher and find your work is best suited as a visual display.

Please send an abstract of no more than 250 words to .(JavaScript must be enabled to view this email address)

More information about the conference can be found in our website researchwithandforchildren.wordpress.com

We look forward to seeing you in May in Edinburgh.

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Buildings in Society International III - An interdisciplinary Approach.

Swedish History Museum, Stockholm

May 11 2017 - May 14 2017

Event web site

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Building studies fall too often into the disciplinary gaps between architectural history, archaeology and social anthropology. The Buildings in Society International conference is an attempt bridge those gaps, to draw from all these approaches and examine how people have created buildings and responded to them. The forthcoming conference would like to examine how people have been creating and using buildings, how they have responded to them, and how the buildings have been perceived. It will consider a diversity of built constructions - including dwellings and public buildings, sheds and manor houses, secular and sacral structures.

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2017 Conference of the Architecture, Culture, and Spirituality Forum

Call for Papers, Presentations, and Workshops

Haystack Mountain School of Crafts on Deer Isle, Maine

May 14 2017 - May 18 2017

Event web site

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Architecture, Culture, and Spirituality Forum (ASCF), an international academic-practitioner network, announces their 9th annual symposium "Practice, Craft, Materials, and Making” to be held May 14-18, 2017, at the renowned Haystack Mountain School of Crafts on Deer Isle, Maine.

We are inviting an expanded range of proposal types in order to illuminate, and experiment with, ideas on the spiritual dimensions of practice, craft, materials, and making of architecture -as well as its broader implications for the built environment. Proposals from individuals new to ACSF, including practitioners, graduate students, and those who have attended in the past but not presented, are especially welcomed and encouraged.


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The Arts of Spinoza + Pacific Spinoza

Interstices Under Construction symposium: Call for Papers

Auckland University of Technology and University of Auckland, New Zealand

May 26 2017 - May 28 2017

Event web site

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We invite scholarly submissions on the philosophy of Benedict de Spinoza (1632-1677), for a special issue of Interstices journal and the annual Interstices symposium to be held in Auckland, New Zealand, 26-28 May 2017. The intent is to further consolidate the recent revival of interest in Spinoza’s thought, and to reaffirm his status as an enormously powerful thinker of contemporary relevance.  Papers on any aspect of Spinoza studies are thus welcomed. But the more specific aim of the symposium and journal issue is twofold: firstly, to extend the burgeoning scholarship on Spinoza into the domains of study parsed by Interstices, namely arts and architecture, and secondly, to situate Spinoza’s philosophy within the particular locus of New Zealand, Australasia, the South Pacific, and the Pacific Rim more broadly. Each of these aspects will be tackled in separate sessions or separate days of the symposium.
            With regard to the first aim, we welcome submissions that put Spinoza’s philosophy in productive proximity with a particular artform or an individual work of art, whether literature, painting, sculpture, architecture, film, music, dance, performance, etc. — or that have an especial focus on any of the numerous artistic and literary figures who are known to have read Spinoza appreciatively and in whose works Spinozist shadings might be discerned (Goethe, Coleridge, George Eliot, Thomas Hirschhorn, etc.). Contributors might like to think of this event and journal issue as extending, in the direction of arts and architecture, the very fine work done by the anthology Spinoza Beyond Philosophy (2012, ed. Beth Lord).
Since Interstices’s particular interest is in architectural studies, we would be keen to see contributions that consider Spinoza as helpful for thinking any of the design and spatial disciplines (architecture, urban design, landscape, geography, interior design, and so on). Contributors might also choose to take ‘architecture’ in the sense of ‘structure’, in which case not only would built environments and tectonics be the subject of analysis, but also the very structure of Spinoza’s texts, the extraordinary way in which his texts are wrought (the famous geometric architecture of the Ethics, for example).
We also invite submissions that don’t necessarily fall under any of the artistic disciplines listed above, and that interpret “arts” in the broadest possible sense. Spinoza’s philosophy predates the modern idea of a differentiated domain of the arts, and so the Latin word that Spinoza uses — ars — has the older and broader sense of skill or craft or ability or proficiency.[1] We thus welcome submissions that are about ‘arts’ in this more general sense — for example, about what Spinoza teaches us about the arts of living (ars vivendi) or the arts of constructing a liberal polity (ars politica, government, statecraft).
With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. Such papers might, for example, examine the historical reception and interpretation of Spinoza in New Zealand, Australia, the Oceanic “sea of islands”, or any proximate sister region.[2] The idea is to give geographic concreteness and local specificity to the interpretation of Spinoza — to see how Spinoza might be or has been read in New Zealand and the Pacific, and inversely to see how our ways of thinking about New Zealand and the Pacific might be productively inflected by reading Spinoza.

[1] See Moira Gatens, “Spinoza on Goodness and Beauty and the Prophet and the Artist”, European Journal of Philosophy 23, no. 1 (2015), p. 3.
[2] The reference is to Epeli Hau’ofa’s “Our Sea of Islands”, The Contemporary Pacific 6, no. 1 (1994), 147–161.

 

Abstracts of 300 words, along with a short biographical statement of 100 words, to be sent to .(JavaScript must be enabled to view this email address), by midnight nzst, 30th January 2017. For purposes of peer review, the abstract should be sent in a separate self-contained file with no identifying information in it. Please send Microsoft Word files only (doc or docx). Abstracts will be vetted through a process of blind peer review.
Selected papers from the symposium will be invited for revision, peer review, and publication in the subsequent issue of Interstices. If you are unable to attend the symposium in New Zealand, but wish to submit a paper for the journal issue, please send the full and completed paper to .(JavaScript must be enabled to view this email address) by 31st May 2017.
Further inquiries can be directed to the convenor Eu Jin Chua, .(JavaScript must be enabled to view this email address), Farzaneh Haghighi, .(JavaScript must be enabled to view this email address), or to Susan Hedges, the Coordinating Editor of Interstices, .(JavaScript must be enabled to view this email address).

A fuller Call for Papers / Discussion Document is attached as a PDF file, or available online at http://www.interstices.ac.nz/news-events/

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2017 Interstices 19 (Under Construction) symposium

Surface – Pattern: a pursuit of material narratives.

The University of Auckland and Auckland University of Technology, New Zealand

June 02 2017 - June 04 2017

Event web site

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2017 Interstices 19 (Under Construction) symposium

Surface – Pattern: a pursuit of material narratives.

The University of Auckland and Auckland University of Technology, New Zealand

 

Keynote Speaker: Associate Professor Spyros Papapetros 

School of Architecture, Princeton University

 

Surface and ornament have been extensively reviewed, admonished, discarded and pursued. More recently there has been a renewed interest in the writing of Aby Warburg and Alois Riegl, while numerous studies have addressed these issues relative to Semper, Adolf Loos, Hermann Muthesius, and Le Corbusier. They have been made prominent by issues of animation (see, for example, Papapetros 2012, Payne 2013, van Eck 2014) and digitation (see for example Spuybroek 2008 and Schumacher 2009).

Incrustations, protuberances, textured expressions, smoothed surfaces, surfaces enlivened as screens, are they ornament or cladding? The 2017 Interstices Under Construction Symposium, “Surface – Pattern” pursues the tension between ornament, adornment, object enlivenment, cladding, surface and pattern, and an exploration into the strange animations inherent in surface-pattern continua.

Thought in one direction, smooth surface tends towards speed and a friction-less gloss; in another, pattern stirs surfaces inciting decelerating, contemplation, and even deviation. Etymologically, ‘surface’ accords with the revealing of an upper or outward layer, but it also points to things that receive a surface through polishing or finishing. Pattern suggests the imposition of a plan or design that ultimately models or leads back to exemplars and the impact of patrons. Conjunctures of surface-patterns thus encompass rich and complex narrative effects.

This call for papers invites considerations, at a range of scales, of surface-pattern complexes like territory and landscapes, built assemblages and ‘cladding’, interior surfaces, décor and furniture, sculpture or objects of the decorative arts.

The symposium is motivated by the renewed fascination with the architectural surface and the expressive effects it mobilises – effects that both eschew and uneasily dabble in the decorative. Material mediation has become a means for experimentation, a way of teasing out smooth geometries, tessellated patterns, iconic figures and textures, which may all also perform technical functions, like joining or harmoniously accommodating incremental and differential movement. If, following Paul Virilio, the built, like the social, is inseparable from a politics of speed (in which surfaces, ways, and conduits at every scale are ‘policed’ in order to arrest impediments to an accelerating commerce of motion and passage), we might wonder what role patterning plays today.

As Giles Deleuze and Felix Guattari have argued, periodic repetition is key to encoding a milieu, founding territoriality and place-specificity. However, it is also a rhythmic vehicle running on difference, a metrical, staggered and reversible time of variable intensities, in which beginning and end are confused (Bogue 2003: 28). Performative and plastic arts in the Pacific and elsewhere use repetition not only as aesthetic device but also “to symbolise and effect relations of mana” (Tomlinson & Tengan 2015: 17), both channelling affective force and representing memory and knowledge to those who understand (Clark 2006: 12; Nepia 2013: 133, 197).

Pattern and rhythm run free of and extend beyond planar fixity, implicating faces and surfaces that may change, reverse or combine, they alter perception and architectural space. Surfaces, beyond their seconding within building hierarchies, open onto movement and shifting states (Taylor 2009: 47). Architecture, then, can be rethought in relation to an outside that is not kept out or apart, in terms of surfaces, flatness, dynamism and movement rather than stasis (Grosz 1995: 135). Patterned and patterning, surfaces provide a saturated environment rich in repetition, difference and an atmosphere by which architecture is more than a machinic structure. As the distinctions between structures and ornaments, function, form, façade and decor are reconceptualised, surfaces are no longer decorative elements but entities in themselves. Surface “turns into architecture [as the] surface becomes weighted, deep, differentiated, tartan, alternating, camouflaged, tonal, gradated, textured, branded, serial” (Bruno 2014: 93).

It is with this sense of the spatial effects potentiated by surface-pattern that we invite you to submit abstracts for the forthcoming Interstices Under Construction Symposium.

Please send a 500-word abstract and a short biographical statement of 100 words to Susan Hedges (.(JavaScript must be enabled to view this email address)) by 28th February 2017. Abstracts will be vetted through blind peer review and, if accepted, published on the Interstices website (http://interstices.ac.nz/news-events/). Notifications will be sent out by March 2017. The symposium will be followed by a call for papers for Issue 19 of Interstices: A Journal of Architecture and Related Arts on the same topic in June 2017.

 

Convenors: Andrew Douglas, Tina Engles—Schwarzpaul, Susan Hedges,

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