Upcoming Events

This page provides links and information about forthcoming events including those organised by AHRA.

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Performing, Writing: A symposium in four turns

Call for Contributions

Wellington, NZ

March 01 2017 - March 05 2017

Event web site

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Performing, Writing: A symposium in four turns  imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The symposium seeks to attract contributions from a wide range of creative practices such as architects, designers, performance artists, writers, musicians, dramaturges and dancers. It is structured as four turns playing out across several days of experiences, textures, flavours and modalities linking acts of performing with acts of writing.

A FULL SYMPOSIUM PROPOSAL should include:
A Cover Sheet (sent as a separate word document) listing your name(s), proposal title, affiliation(s), contact details.

A Proposal (sent as a separate word document no more than 2 A4 pages) that presents, describes, imagines and contextualises your contribution to the symposium. Images, drawings and links are encouraged. Avoid revealing your identity in this document. Identify which of the day provocations your proposal links to best and how. List any equipment required. Unlike most conferences and symposiums where presenters are allocated 20 minutes and the mode of delivery defaults to Powerpoint projections in a darkened room, this event challenges us to inhabit time, space and body with a broader spectrum of possibilities. For example, one could occupy 5 minutes of each day at the same time, prompt a participatory exercise, or incite an oration or inscription in relation to the local architecture. The symposium programme will be crafted to support the variety of proposal responses.

Submit proposals to .(JavaScript must be enabled to view this email address) by end of day 1 July 2016 (NZ time).
Questions can be sent to .(JavaScript must be enabled to view this email address).
FAQ will be posted and updated on the website: http://www.performingwriting2017.com

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Performing, Writing 2017

Wellington, New Zealand

March 04 2017 - March 09 2017

Event web site

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There is something nearly indescribable yet palpable in the transfer between embodied works of art and the textual inscriptions that imagine, forecast, relate, explain, document orco-exist alongside them. 

This parallel and often intersecting dialogical relationship bears out the ways that practices such as live art, performance, theatre, architecture, spatial design, dance and music depend, expand upon, repeat and exacerbate practices such as script and score-writing poetry, literary fiction, art criticism, ficto-criticism, curatorial writing, site writing  and writing associated with creative practice-led research.

 

This synaptic condition is what John Hall calls out in On Performance Writing, with pedagogical sketches (2013) as gestures of actualisation, performing thru; writing as itself performance, the very literal taking place over time, slowly, meticulously, and performance as an event that is more than the writing where the writing’s concern is with its relation to the full context of the performance. (61) 

 

Here we find shared attentiveness towards the shaping of words, breathe, body,  object, time and space, to effectively and affectively curate subjective encounters.

 

Performing, Writing: A symposium in four turns imagines how a text can be conceptualised, written, presented and figured 

with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. What creative, 

dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of 

an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-

ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a 

new culture of criticality develop in between acts of “performing through”?

 

Proposals due 1 July 2016. See the website for details: www.performingwriting.com

 

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

Mobile +6421 842616

Skype user name buildingartpractice

www.julieannapreston.space

 

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Performing, Writing Symposium March 2017

Wellington, New Zealand

March 09 2017 - March 19 2017

Event web site

web site thumbnail available soon

Performing, Writing: a symposium in four turns is an international interdisciplinary research-focussed event occurring in March 2017, Wellington NZ run in association with Performance Arcade.

This event imagines how a text can be conceptualised, written, presented and figured with equal or more contingency and responsiveness to temporal and corporeal happenings, and vice versa. 

What creative, dialogic, autobiographical or alternative writing approaches might elicit a text that engages with the plurality of affects of an artwork?  How might a creative work be informed, inspired, directed, scripted or critiqued with the same respect for live-ness that unfolds spatially as it does textually? How might these parallel practices inhabit space symbiotically?  How might a new culture of criticality develop in between acts of “performing through”?

The proposal deadline has recently been extended to 15 July 2016 and the event dates have changed since the first posting in April this year.

See the website for details: www.performingwriting.com

Dr Julieanna Preston

Professor of Spatial Practice

Toi Rauwharangi College of Creative Arts

Te Kunenga o Purehuroa Massey University

Wellington, Aotearoa

 

 

 

 

 

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PhD by Design Student Conference: The Idea of ‘Self’ in practice based research

Call for papers and workshops

School of Architecture, University of Sheffield

April 03 2017 - April 04 2017

Event web site

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This conference invites contributions from PhD by design students from all disciplines to explore narratives of ‘self’; how the notion of self as a researcher has been assumed and embodied in research.

  subjectivity in research by design.redefine it as the process of
  struggles with the self: confession, realisation, disguise and
  evolution. Confess your positioning, transformation, ambiguity and
  ‘yourself’.
                      Becoming ..... through design
                                Researcher
                                 machine
                                  Model
                                  Woman
                                   Self

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14th Annual AHRA PhD Student Symposium: Research as Open Work

Call for papers and workshops

The University of Edinburgh: ESALA

April 06 2017 - April 07 2017

Event web site

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The theme of the 14th Annual Research Student Symposium: Research as Open Work references Umberto Eco’s Opera Aperta. Eco argued that works of art - whether music, painting, or architectural compositions - should be understood as specific “closed” forms that simultaneously offer open and multiple interpretations and performances, constructed by the different perspectives of each listener, viewer, or inhabitant. While research is not synonymous with works of art, it is often constructed as a specifically ‘closed’ form yet is also open to readers, viewers and users. The Symposium theme therefore foregrounds and questions the ‘openness’ of research work and how research that is conceived as ‘open work’ might offer new understandings of conditions or ethics of openness, how contemporary humanities research acts as and contributes to public and responsive (responsible) scholarship.

Relatively recent qualifications of humanities research as architectural (driven by specificities of spatial, urban and design for occupation), digital (driven by open source web, democratization of knowledge), environmental (driven by global climate crises/ change), medical (driven by health), demonstrate the formations and reformations of fields of studies as specific interdisciplinary congruences. This asserts and opens onto a scope or -scape of particular production and practice such as: architecture, the digital domain, the environment, medicine. Do these qualifications limit, foreground, enhance or blur the productive limits and boundaries of knowledge, the degrees of open and closed relationships between institutions and society, or between disciplines and their research practice conventions?

Doctoral researchers at different stages of their careers are invited to respond to the theme and to meet and discuss the emergent approaches to their particular research praxis and current research topics in: architecture, cultural theory, landscape, urbanism and design. We are particularly interested in collaborative and multi-, inter-, trans-, and a-disciplinary practices that are refined through work which operates through conditioned humanities research, and/or crosses between scholarship and policy, academy and practice, and vice versa.

 

We are calling for paper proposals and workshop proposals across this two-day conference that engage with the theme ‘Research as Open Work’ - Please interpret this as you wish. [DEADLINE FOR SUBMISSIONS: 8th JANUARY 2017]

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The Politics of Environments: Architectures, Natures and Data

Tallinn, Estonia

April 20 2017 - July 23 2016

Event web site

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Two themes stand out prominently in discussions, projects and strategies that are at the forefront of contemporary urbanisation. It is, on one hand, the question of ecology, where the city and architecture are reconceptualised in "green" terms such as sustainability, resilience, metabolic optimisation and energy efficiency. On the other hand is the cybernetic question, where the futures of architecture and urbanisation are staked upon the pervasive use of digital communication, interactive technologies, ubiquitous computing, and the "big data". Moreover, these two questions have become increasingly intertwined as two facets of a single environmental question: while real-time adjustments, behaviour optimisation and "smart" solutions are central to urban environmental agenda, the omnipresent network of perpetually interacting digital objects constitutes itself a qualitatively new environment within which urban citizens are enfolded. But as digital networks become our "second nature," we also hark back to the models derived from the "first nature".

With the growing pressure on architects, urbanists and planners to deliver ecological and techno-informational solutions, with (self-)monitoring of citizens "behaviour", optimisation of the buildings "performance", and smoothing of urban "flows", and with the respective substitution of democratic politics by automated governance models, it is ever more important to interrogate the historical, theoretical, methodological and epistemological assumptions beneath the above set of processes that can be described, following Michel Foucault, as environmental governmentality. These questions will be explored under three thematic tracks.

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